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Lisbon, Sintra & Cascais
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October 2026

Tap a day, then a later one for a range.

Sat 7 Nov Saturday 7 November

  1. Wed 4 6
  2. Thu 5 8
  3. Fri 6 15
  4. Sat 7 27
  5. Sun 8 8
  6. Mon 9 8
  7. Tue 10 8
  8. Wed 11 7
  9. Thu 12 7

Ongoing: 362 exhibitions, runs & attractions ↓

No time published 1 event
The Faces of the Chapel of St John the Baptist

Museu de São Roque Bairro Alto Lisbon

Free Other

A cycle of guided tours at the Igreja de São Roque revealing the protagonists behind the Chapel of St John the Baptist, a masterpiece of D. João V's reign — from ambassador Manuel Pereira de Sampaio to cardinal-patriarch D. Tomás de Almeida.

Morning 3 events
PALÁCIO PIMENTA - MIGRATIONS - GUIDED TOUR

11:00 Museu de Lisboa - Palácio Pimenta Campo Grande Lisbon

5€ Other

Guided tour of the long-term exhibition at the Museu de Lisboa – Palácio Pimenta, exploring the migrations that shaped Lisbon over the centuries.

Afternoon 7 events
Gulbenkian Building in Dialogue with the Landscape

15:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Other

In this visit, you will explore several spaces, including areas normally closed to the public, and discover how architecture and nature are in permanent dialogue in this singular building.

PALÁCIO PIMENTA - IF I WERE AN ANIMAL, I WOULD BE... - WORKSHOP

15:00 Museu de Lisboa - Palácio Pimenta Campo Grande Lisbon

5€ 6+ Family friendly Other

In this visit-workshop at Palácio Pimenta, families explore the exhibition 'Animais de Lisboa, Outra história da cidade' to discover the animals that once lived in Lisbon, before contributing to a collective mural of animal self-portraits.

Lenna Bahule - V World Music Week BOTA

17:00 BOTA Lisbon

10€ Live music

Lenna Bahule presents 'Mcika', an intimate solo show of voice, moving body and traditional instruments, weaving a cappella songs and percussive chants from her Mozambican homeland, as part of the V World Music Week BOTA.

Evening 9 events
Tonight We Shout - "Vitória" by Pau Miró

18:00 Casa do Comum Lisbon

5€ Party

Tonight We Shout is a cycle of performed readings of theatrical texts, promoted by Companhia Cepa Torta, celebrating its 10th anniversary. This edition presents 'Vitória' by Pau Miró, about a widow in 1950s Barcelona who discovers the need to fight.

MARCO RODRIGUES SINGS CARLOS DO CARMO | THERE IS FADO AT THE QUAY

19:00 Centro Cultural de Belém Belém Lisbon

5€ Live music

Marco Rodrigues pays tribute to Carlos do Carmo in a concert celebrating the legacy of the fado singer, featuring songs from the album 'Canta Carlos do Carmo' and other highlights from his career.

Japanese Music for Piano | António Alves da Silva

19:00 Museu do Oriente. Lisbon

15€ Live music

Launch recital for António Luís Silva's first solo album, one of the first records ever devoted entirely to Japanese piano music recorded by a Western performer, with works by Karen Tanaka, Saburo Takata, Minako Tokuyama and Hisatada Otaka at Fundação Oriente.

THE EMO FESTIVAL

19:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

The Emo Festival returns to Lisbon for a big emo tribute night with a live band, DJs, performers and confetti, as a standing event. Tickets are non-refundable unless the event is postponed or cancelled.

Alcool Club Live

21:00 Village Underground Lisboa Alcântara Lisbon

Live music

Alcool Club live on Saturday, 7 November, from 21h00 to 23h30.

Carla Prata - It All Leads Back South

21:00 Casa Capitão Beato Lisbon

19,50€ 12+ Live music

Carla Prata presents her new project 'It All Leads Back South' at Casa Capitão, blending influences from the UK, Angola and Portugal.

António Raminhos - Be Right Back

21:30 Aula Magna Cidade Universitária Lisbon

18€ Theatre

António Raminhos presents 'Be Right Back', a comedy show that tackles death and finitude with his characteristic humour, turning grief into laughter.

DAPHNÉ CHENEL

21:30 Casa Capitão Beato Lisbon

12+ Live music

French singer-songwriter Daphné Chenel presents songs from her new album for the first time at Casa Capitão, featuring ethereal, cinematic sounds, with special guests and surprises.

JOSÉ PINHAL POST-MORTEM EXPERIENCE

22:00 Coliseu dos Recreios Santa Maria Maior Lisbon

18€ 6+ Live music

For the last 10 years, José Pinhal Post-Mortem Experience has kept alive the flame of the immortal singer José Pinhal, master of dance, romantic icon and major figure of northern popular culture. Born in 2016 as a spontaneous tribute, the band grew to become an improbable phenomenon, crossing generations, styles and geographies. After more than a decade taking José Pinhal's name to stages across the country, the time for farewell has now come. The last concerts of José Pinhal Post-Mortem Experience promise to be an intense celebration of life, music and the legacy of José Pinhal. Immortal, always! A big thank you.

Exhibitions, runs & attractions 362 events

keiyaA presents 'hooke's law'

keiyaA apresenta ‘hooke’s law’

Live music 15€

Tuesday 10 November · 21:00

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Galeria Zé dos Bois Bairro Alto · Lisbon

keiyaA presents her second album 'hooke's law', exploring the pressures of success through a blend of jazz, hip-hop, R&B, and soul.

Full details

When success finally arrives and increases the number of possibilities, how many can withstand the pressure of that stretch? hooke's law, keiyaA's second album, is a set of answers and reflections on that question, thinking about how life changes and remains the same when you win over critics, peers, and the world. In her debut on XL Recordings after gaining momentum with milk thot, the Chicago singer, producer, and multi-instrumentalist applies her jazz foundations via parallel education as part of the hip-hop generation to expand the valences of the R&B and soul she creates, adding auto-tune or jungle breaks to the complex and ambitious equation. Before, the authorial will took her from the American Midwest to the East Coast: after being a saxophonist in sessions with emerging artists of that time like Mick Jenkins, Chance The Rapper, Noname, or Vic Mensa, New York and its vibrant music scene (more specifically at the intersections of jazz, rap, and experimental) empowered her to finally emancipate herself in 2020. In Forever, Ya Girl, she sought the respect of producers like Madlib while fighting against the possibility of being evicted; with an SP-404 and a microKORG in her arsenal, the sound became a concrete vision of residues that Loop Digga, Erykah Badu, or Solange left in the atmosphere. If in her records she surrounds herself mostly with herself (the exception is rapper RahRah Gabor on 'this time'), the community spirit reveals itself in other ways outside of that: she produced three tracks on weight of the world, an album by MIKE, remixed tracks by Nubya Garcia, Nilüfer Yanya, Bartees Strange, or Kokoroko, and added soul to songs by Armand Hammer, Maxo, Loraine James, E L U C I D, or Mount Kimbie. They are interior and exterior excavations in avant-garde adventures in the company of some protagonists of electronic music and less conventional rap from different continents. The intentional disconcertedness of the debut album gave way to some rigidity (also purposeful) in the second long-form: the setup (whether of machinery, Octatrack, modular synthesizers and Ableton, or lifestyle) makes the music and that is what we hear in the set of 19 tracks, reminding us that she is a contemporary of Kelela, Yaya Bey, and Erika de Casier without forgetting who is communicating with us. Someone who hates landlords ('i h8 u') or someone who wants to have fun in good company ('k.i.s.s'), for example. But also someone who studied and immersed herself in parts of the discographies of Kanye West (from 808s & Heartbreak), Nine Inch Nails, Aaliyah, Brandy, Air, Michael Jackson, or the Brazilian Fernanda Dias. AR.

Show original (Portuguese)

Quando o sucesso finalmente chega e aumenta o número de possibilidades, quantos aguentam a pressão desse esticão? hooke’s law , o segundo álbum de keiyaA, é um conjunto de respostas e reflexões sobre essa questão, pensando de que formas a vida se altera e mantém a mesma quando se conquista a crítica, os seus pares e o mundo. Na sua estreia pela XL Recordings após ganhar balanço com milk thot , a cantora, produtora e multi-instrumentista de Chicago aplica as suas bases jazzísticas via educação paralela enquanto parte da geração hip-hop para dilatar as valências do r&b e soul que cria, adicionando auto-tune ou breaks de jungle à complexa e ambiciosa equação. Antes, a vontade autoral levou-a do centro-oeste americano até à costa este: depois de ser a saxofonista em sessões com artistas emergentes nessa época como Mick Jenkins, Chance The Rapper, Noname ou Vic Mensa, Nova Iorque e a sua efervescente cena musical (mais concretamente nas intersecções entre o jazz, o rap e o experimental) capacitaram-na para finalmente se emancipar em 2020. Em Forever, Ya Girl foi à procura do respeito de produtores como Madlib ao mesmo tempo que lutava contra a possibilidade de ser despejada; com uma SP-404 e um microKORG no seu arsenal, o som transformou-se numa visão concreta de resquícios que o Loop Digga, Erykah Badu ou Solange deixaram na atmosfera. Se nos seus discos se rodeia sobretudo de si mesma (a excepção é a rapper RahRah Gabor em “this time”), o espírito comunitário revela-se de outras maneiras fora disso: produziu três temas de weight of the world , álbum de MIKE, remisturou faixas de Nubya Garcia, Nilüfer Yanya, Bartees Strange ou Kokoroko e adicionou alma em canções de Armand Hammer, Maxo, Loraine James, E L U C I D ou Mount Kimbie. São escavações interiores e exteriores em aventuras vanguardistas na companhia de alguns protagonistas da música electrónica e do rap menos convencional de diferentes continentes. O desconcertado intencional do álbum de estreia deu lugar a alguma rigidez (também ela com propósito) no segundo longa-duração: o setup (seja de maquinaria , Octatrack, sintetizadores modulares e Ableton , ou de estilo de vida) faz a música e é isso que escutamos no conjunto de 19 faixas, recordando-nos de que é uma contemporânea de Kelela, Yaya Bey e Erika de Casier sem que nos esqueçamos quem comunica connosco. Alguém que odeia senhorios (“i h8 u”) ou alguém que se quer divertir em boa companhia (“k.i.s.s”), por exemplo. Mas também alguém que estudou e mergulhou em partes das discografias de Kanye West (de 808s & Heartbreak ), Nine Inch Nails, Aaliyah, Brandy, Air, Michael Jackson ou a brasileira Fernanda Dias. AR.

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