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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Tue 6 Oct Tuesday 6 October

  1. Sat 3 81
  2. Sun 4 38
  3. Mon 5 11
  4. Tue 6 13
  5. Wed 7 15
  6. Thu 8 23
  7. Fri 9 34
  8. Sat 10 86
  9. Sun 11 30

Ongoing: 269 exhibitions, runs & attractions ↓

No time published 1 event
Morning 1 event
Afternoon 3 events
DARYE | KOREAN TEA CEREMONY FOR AUTUMN

14:30 Museu do Oriente. Lisbon

40€ M/16 Other

Korean tea ceremony workshop where participants explore autumn traditions, taste different teas and treats, and learn about Korean culture.

Lado BB | Les Pétroleuses

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Lado BB film screening of 'Les Pétroleuses', with general admission at €3.20 and discounts for Friends of the Cinemateca, Youth Card holders, the unemployed, students, film students, juniors (up to 16) and over-65s.

Young Mothers | 27th French Film Festival

17:00 Cinema São Jorge Arroios Lisbon

6€ Cinema

The Dardenne brothers portray Jessica, Perla, Julie, Ariane and Naïma, mothers barely over 18 who, in a shelter, try to find their place in the world and offer their children a better future — an intimate portrait of youth and motherhood awarded Best Screenplay at Cannes.

Evening 8 events
Noémia Delgado | The Bread Thief + The Little Princess of Roses

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A session of the Cinemateca retrospective dedicated to Noémia Delgado, screening 'The Bread Thief' (O Ladrão do Pão) and 'The Little Princess of Roses' (A Princesinha das Rosas). Tickets cost 3,20€, with discounts available.

CONGO BOY | 27th French Film Festival

19:30 Cinema São Jorge Arroios Lisbon

6€ Cinema

The first major co-production between the Central African Republic and the DR Congo, Rafiki Fariala's vibrant musical drama, premiered in Un Certain Regard at Cannes, follows Robert, a 17-year-old in Bangui who, amid war and his parents' imprisonment, finds in music a way to resist.

Lado BB | Le Repos Du Guerrier

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Cinemateca screening of 'Le Repos du Guerrier' as part of the 'Lado BB' series, with tickets at 3,20€ and discounts for Friends of the Cinemateca, youth card holders, the unemployed, students, over-65s and retirees.

TEJAM Sessions

21:00 Teja House Lisbon

Free DJ set

A curated jam on the house sound system, Tuesday nights through to midnight — bring an instrument or just come to listen, free at the door.

maya ongaku ⟡ Summit

21:00 Galeria Zé dos Bois Bairro Alto Lisbon

14€ Live music

Concert/event with the band Maya Ongaku, blending psychedelic folk, electronics and YMO influences, presenting their unique sonic universe.

Full Phil | 27th French Film Festival

21:30 Cinema São Jorge Arroios Lisbon

6€ Cinema

Quentin Dupieux's absurdist black comedy 'Full Phil', presented at Cannes, stars Woody Harrelson as a millionaire American industrialist whose trip to Paris with his daughter (Kristen Stewart) becomes increasingly surreal. Screened at the 27th French Film Festival, tickets 6€.

Paulo Branco | Le Mariage à Trois

21:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Paulo Branco retrospective at the Cinemateca brings 'Le Mariage à Trois' to the big screen. Tickets are €3.20, with reduced rates for students, seniors and other groups.

La Frappe | 27th French Film Festival

21:45 Cinema São Jorge Arroios Lisbon

6€ Cinema

Julien Gaspar-Oliveri's raw family drama 'La Frappe', premiered at Cannes Critics' Week, builds suspense through silence around buried family trauma, with Diego Murgia and Bastien Bouillon. Part of the 27th French Film Festival, tickets 6€.

Exhibitions, runs & attractions 269 events

Christmas Concert - Bach's Mass in B minor

Concerto de Natal - Missa em si menor de Bach

Live music 20€

Sunday 20 December · 17:00

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Centro Cultural de Belém Belém · Lisbon

Bach's Mass in B minor, BWV 232, is one of the composer's most monumental works, completed between 1749 and 1750. This Christmas concert invites audiences into Bach's world through rich choral textures and formal mastery.

Full details

The Mass in B minor, BWV 232, by J. S. Bach, constitutes one of the most colossal works of his musical output, being placed among his works of greatest grandeur and importance. Its structural scale places us before a musical monument that results from the labour of a lifetime. Bach, a composer skilful in reusing musical materials, completed this Mass in the final years of his life, between 1749 and 1750. To this end, he used previously composed musical materials, some of which had been performed earlier, dating back to the 20s and 30s, and others composed from scratch. The work therefore presents a confluence of styles and compositional techniques that the composer adopted throughout his life, making it a unique work, a synthesis of styles and contrasts, almost like a musical biography. The composition in Latin, rather than German, includes the Ordinary of the Mass, pointing to the possible contexts of its performance, which, moreover, remain a matter of discussion among specialists in the composer's output. The work invites us to enter Bach's world through the richness of the choral textures, the latent stylistic variety and an unequivocal formal mastery and command of writing for choir and orchestra. The Mass in B minor probably had its first complete performance in 1859 in Leipzig, more than a century after the composer's death.

Show original (Portuguese)

A Missa em si menor , BWV 232, de J. S. Bach, constitui um dos trabalhos mais colossais da sua produção musical, sendo colocado entre as suas obras de maior grandiosidade e importância. A sua envergadura estrutural coloca-nos perante um monumento musical que resulta do labor de uma vida. Bach, compositor exímio no reaproveitamento de materiais musicais, completou esta missa nos derradeiros anos da sua vida, entre 1749 e 1750. Utilizou, para o efeito, materiais musicais previamente compostos, e alguns anteriormente executados, que remontam aos anos 20 e 30, e outros compostos de raiz. A obra apresenta, por isso, uma confluência de estilos e técnicas de composição que o compositor adotou ao longo da sua vida, tornando-a numa obra ímpar, uma síntese de estilos e contrastes, quase como uma biografia musical. A composição em latim, ao invés do alemão, inclui o ordinário da Missa, apontando para os possíveis contextos de apresentação da mesma que, de resto, permanecem motivo de discussão entre os especialistas na produção do compositor. A obra convida-nos a entrar no mundo bachiano através da riqueza das texturas corais, da variedade estilística latente e de uma inequívoca mestria formal e do domínio da escrita para coro e orquestra. A Missa em si menor teve, provavelmente, a sua primeira audição integral em 1859, em Leipzig, mais de um século volvido da morte do compositor.

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