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Lisbon, Sintra & Cascais
Lisbon, Sintra & Cascais LisbonSintraCascais
What are you in the mood for? All moods · choose to filter Free With kids
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In the spotlight

Our picks for the next 14 days

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September 2026

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Tap a day, then a later one for a range.

Tue 6 Oct Tuesday 6 October

  1. Sat 3 82
  2. Sun 4 38
  3. Mon 5 10
  4. Tue 6 13
  5. Wed 7 15
  6. Thu 8 23
  7. Fri 9 34
  8. Sat 10 83
  9. Sun 11 29

Ongoing: 262 exhibitions, runs & attractions ↓

No time published 1 event
Morning 1 event
Afternoon 3 events
DARYE | KOREAN TEA CEREMONY FOR AUTUMN

14:30 Museu do Oriente. Lisbon

40€ M/16 Other

Korean tea ceremony workshop where participants explore autumn traditions, taste different teas and treats, and learn about Korean culture.

Lado BB | Les Pétroleuses

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Lado BB film screening of 'Les Pétroleuses', with general admission at €3.20 and discounts for Friends of the Cinemateca, Youth Card holders, the unemployed, students, film students, juniors (up to 16) and over-65s.

Young Mothers | 27th French Film Festival

17:00 Cinema São Jorge Arroios Lisbon

6€ Cinema

The Dardenne brothers portray Jessica, Perla, Julie, Ariane and Naïma, mothers barely over 18 who, in a shelter, try to find their place in the world and offer their children a better future — an intimate portrait of youth and motherhood awarded Best Screenplay at Cannes.

Evening 8 events
Noémia Delgado | The Bread Thief + The Little Princess of Roses

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A session of the Cinemateca retrospective dedicated to Noémia Delgado, screening 'The Bread Thief' (O Ladrão do Pão) and 'The Little Princess of Roses' (A Princesinha das Rosas). Tickets cost 3,20€, with discounts available.

CONGO BOY | 27th French Film Festival

19:30 Cinema São Jorge Arroios Lisbon

6€ Cinema

The first major co-production between the Central African Republic and the DR Congo, Rafiki Fariala's vibrant musical drama, premiered in Un Certain Regard at Cannes, follows Robert, a 17-year-old in Bangui who, amid war and his parents' imprisonment, finds in music a way to resist.

Lado BB | Le Repos Du Guerrier

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Cinemateca screening of 'Le Repos du Guerrier' as part of the 'Lado BB' series, with tickets at 3,20€ and discounts for Friends of the Cinemateca, youth card holders, the unemployed, students, over-65s and retirees.

TEJAM Sessions

21:00 Teja House Lisbon

Free DJ set

A curated jam on the house sound system, Tuesday nights through to midnight — bring an instrument or just come to listen, free at the door.

maya ongaku ⟡ Summit

21:00 Galeria Zé dos Bois Bairro Alto Lisbon

14€ Live music

Concert/event with the band Maya Ongaku, blending psychedelic folk, electronics and YMO influences, presenting their unique sonic universe.

Full Phil | 27th French Film Festival

21:30 Cinema São Jorge Arroios Lisbon

6€ Cinema

Quentin Dupieux's absurdist black comedy 'Full Phil', presented at Cannes, stars Woody Harrelson as a millionaire American industrialist whose trip to Paris with his daughter (Kristen Stewart) becomes increasingly surreal. Screened at the 27th French Film Festival, tickets 6€.

Paulo Branco | Le Mariage à Trois

21:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Paulo Branco retrospective at the Cinemateca brings 'Le Mariage à Trois' to the big screen. Tickets are €3.20, with reduced rates for students, seniors and other groups.

La Frappe | 27th French Film Festival

21:45 Cinema São Jorge Arroios Lisbon

6€ Cinema

Julien Gaspar-Oliveri's raw family drama 'La Frappe', premiered at Cannes Critics' Week, builds suspense through silence around buried family trauma, with Diego Murgia and Bastien Bouillon. Part of the 27th French Film Festival, tickets 6€.

Exhibitions, runs & attractions 262 events

Cloud Nothings ⟡ VEENHO

Live music 15€

Saturday 21 November · 22:00

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Galeria Zé dos Bois Bairro Alto · Lisbon
All events at this venue 33 Directions

Cleveland's Cloud Nothings bring their anthemic indie rock to Lisbon, from 'Wasted Days' to 'I'm Not Part of Me' and the songs of their new album 'Final Summer', with VEENHO on the bill.

Full details

It's all about the songs. However much breath is spent unravelling the Cleveland group's progression and the poetic, harmonic and formal qualities embraced and/or lost across nine albums, their essence endures in the memorable trail of the song. Anthemic, lived with the heart in the throat and with the urgency of the words released there, never falling into the populist trap (lol, Arcade Fire), but cut for full-throated singalongs and a fixed place in the collective indie consciousness: 'Wasted Days', 'Modern Act', 'On an Edge' or, of course, 'I'm Not Part of Me' — a long list that the most devoted stans will always shuffle in memory of that moment when the world seemed full of possibilities, or when Dylan Baldi's words mirrored that university crush. A fundamental part of a possible indie lore that can be born anywhere and shaped the character of Superchunk, Built to Spill or Wavves. Without dwelling on that past — germinated in the lo-fi bedroom solitude of a first self-titled album and made real from the canonical 'Attack on Memory' — the band led by Baldi, flanked by his long-time companion Jayson Gerycz on drums and multi-instrumentalist Chris Brown, keeps pace with its own songwriting instincts on 'Final Summer', its first record on Pure Noise after years of allegiance to Carpark. Without straying far from a formula sketched on the aforementioned 'Attack on Memory' and definitively stamped on 'Here and Nowhere Else' — a link between the energy of Hüsker Dü's 'New Day Rising' and the pop instinct of the Replacements — and with the sways and twists needed to keep it alive across a discography where the torn grime of the guitars and the propulsion of the drums served a very catchy sensibility, 'Final Summer' brightens the production and, with it, the aura of Cloud Nothings in 10 songs that evoke the naturalness of those with nothing left to prove. And they have nothing to prove. Let us sing, then. BS.

Show original (Portuguese)

São as canções. Por mais paleio que se gaste a descortinar a progressão do grupo de Cleveland e as valências poéticas, harmónicas, formais açambarcadas e/ou perdidas ao longo de nove álbuns, é no rasto memorável da canção que perdura a sua essência. Antémicas, vividas com o coração na garganta e a urgência das palavras que daí se libertam, sem nunca cair na esparrela populista , lol, Arcade Fire , mas talhadas para coro a plenos pulmões e lugar fixo num consciente colectivo indie: ‘Wasted Days’, ‘Modern Act’, ‘On an Edge’ ou, claro, ‘I’m Not Part of Me’ numa lista longa que stans mais indefetíveis irão sempre baralhar na memória daquele momento em que o mundo parecia cheio de possibilidades ou as palavras de Dylan Baldi foram reflexo daquele crush universitário. Parte fundamental de um possível lore indie que pode nascer em qualquer lado e formou carácter a Superchunk, Built to Spill ou Wavves. Sem se fixar nesse passado, germinado na solidão lo-fi de quarto de um primeiro álbum homónimo e tornado real a partir do canónico ‘Attack on Memory’, a banda liderada por Baldi, ladeado pelo seu comparsa de longa data Jayson Gerycz na bateria e pelo multi-instrumentista Chris Brown, continua a acertar passo aos seus próprios instintos cancioneiros com ‘Final Summer’, primeiro disco na Pure Noise após anos de militância na Carpark. Sem se desviar sobremaneira de uma fórmula traçada no já citado ‘Attack on Memory’ e definitivamente vincada em ‘Here and Nowhere Else’ , enlace da energia de ‘New Day Rising’ de Hüsker Dü com o instinto pop dos Replacements -, com os meneios e torções necessários para ir a ir avivando ao longo de uma discografia onde a sujeira rasgada das guitarras e a propulsão da bateria serviam uma sensibilidade bem catchy, ‘Final Summer’ ilumina a produção e, por conseguinte, a aura de Cloud Nothings em 10 canções que evocam aquela naturalidade de quem não tem já nada a provar. E não tem. Cantemos, então. BS.

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