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Lisbon, Sintra & Cascais
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October 2026

Tap a day, then a later one for a range.

Sun 22 Nov Sunday 22 November

  1. Thu 19 10
  2. Fri 20 17
  3. Sat 21 34
  4. Sun 22 12
  5. Mon 23 3
  6. Tue 24 4
  7. Wed 25 8
  8. Thu 26 9
  9. Fri 27 12

Ongoing: 341 exhibitions, runs & attractions ↓

No time published 2 events
News on Stage

Chapitô Lisbon

12€ Theatre

A theatre show that weaves together memory, violence, identity, territory and contemporary social issues, challenging the audience to look at what fills the newspapers every day and ask: what stories lie beyond the news?

Morning 3 events
ACTIVITY: COOKIN'ART | 2–5 years

11:00 Centro Cultural de Belém Belém Lisbon

3€ Family friendly Exhibition

A performative activity for children aged 2 to 5, where author cuisine meets children's imagination. Inspired by the museum's artworks, the little helpers will cook recipes that carry the story of the artworks they discovered.

Fairy Tales

11:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Live music

This Sunday Concert celebrates music inspired by great narratives, with works by Mozart, Mendelssohn, Tchaikovsky and Humperdinck.

Afternoon 4 events
The Wizard of Oz | A Pop Musical

15:00 Casino Estoril Estoril Cascais

M/6 Family friendly Live music

A pop musical based on the story of The Wizard of Oz, with contemporary songs.

The Nutcracker | Imperial Heritage Ballet | Classic Stage

15:00 Coliseu dos Recreios Santa Maria Maior Lisbon

30€ 6+ Family friendly Dance

Imperial Heritage Ballet presents 'The Nutcracker', Tchaikovsky's classic that takes audiences to Clara's magical night, with toys coming to life, imaginary battles and enchanted kingdoms. A luminous, festive experience for the whole family, with Tchaikovsky's music and the beauty of great classical ballet.

"Lacuna" by Luz Ribeiro | Tonight We Shout

16:00 São Luiz Teatro Municipal Lisbon

5€ Party

A show titled 'Lacuna' by Luz Ribeiro, part of the 'Tonight We Shout' program. A theater or performance event with tickets at €5.

LET US POUR LITTLE WATER ON MUCH FIRE

16:00 Auditório Carlos Avilez Cascais

22€ Theatre

A Barraca, directed by Maria do Céu Guerra with music by António Vitorino d'Almeida, dives into the lyric poetry of Luís de Camões — the Canções and above all the Sonnets — in a show about lived and invented love.

Evening 3 events
Josh Cohen | Radiohead for Solo Piano II | MISTY FEST

18:00 São Luiz Teatro Municipal Lisbon

20€ Live music

Australian composer and pianist Josh Cohen, a master of improvisation known for blending jazz, contemporary classical and electronic influences, performs Radiohead's repertoire live on solo piano at Misty Fest, elevating these iconic songs to a whole new level.

Skinshape

20:00 Casa Capitão Beato Lisbon

32,50€ 12+ Live music

Skinshape, the project of London multi-instrumentalist William Dorey, comes to Lisbon for the first time with his fusion of psychedelic soul, smooth funk, dub and afrobeat. Live, he becomes an immersive ensemble recreating these textures with vintage instruments and expansive dub effects.

LEVI.SCT | MISTY FEST

21:30 São Luiz Teatro Municipal Lisbon

20€ Live music

German pianist Levi Schechtmann, who is redefining classical music by crossing it with modern rhythms and contemporary sounds, brings his innovative arrangements of Bach, Liszt and Chopin to Misty Fest.

Exhibitions, runs & attractions 341 events

The Sleeves

Live music 12€

Tuesday 17 November · 21:00

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Galeria Zé dos Bois Bairro Alto · Lisbon

The duo of Tara Cunningham and Jack Cooper joins improvised guitar with a kind of slowcore revival, music of fabulous calm where fullness lies in what is left unfilled.

Full details

For a duo making such sparse music, it is surprising how fluid Tara Cunningham and Jack Cooper (both of Modern Nature, he also of Ultimate Painting and a collaborator with Apartment House) sound, without mixing restraint with tension or control with anxiety. Guitar music, The Sleeves join improvised guitar with a kind of slowcore revival. Listening to their self-titled album, released this year, is like stepping into a time capsule and hearing Low for the first time. The comparison is somewhat unfair to Low, because the trio was unique — and, later on, unpredictable — but The Sleeves concentrate well the formula of doing much with little. And that is why we think of Low. The swiftness with the use of words also helps. But a comparison is only a comparison. The Sleeves have merit of their own. The secret lies in that fluidity, which manifests in the guitars, running endless lines, finding a solution for the next moment, and in how words and phrases justify themselves, even when they often seem incomplete. The purpose is simple: in The Sleeves' songs we feel there is always something left to do, and both musicians are excellent at conveying that, by the way they complete ideas with something unfinished. It is music that says everything because something is left unsaid, and that conveys that everything is fine. That is why control has no anxiety, because it is not quite control; that is why anxiety never materialises, because there is nothing to be anxious about. One accepts that things are fine as they are. The fullness of The Sleeves exists in what is left unfilled. What we hear in the silences, what we feel when an idea seems to have ended halfway, what we feel like doing when a song ends in a murmur (of voice, of guitar, it doesn't matter) and hangs on a response. Maybe there is no response. The Sleeves are a beautiful commitment to what lies in between suggestion and fulfilment, with a fabulous calm, a relaxation that truly relaxes. They are the musical ASMR you never expected to hear. AS.

Show original (Portuguese)

Para quem, em duo, cria música tão esparsa, surpreende como Tara Cunningham e Jack Cooper (ambos de Modern Nature, ele também de Ultimate Painting e colabora com os Apartment House) soam tão fluídos, sem misturar contenção com tensão ou controlo com ansiedade. Música de guitarra, The Sleeves juntam guitarra improvisada a uma espécie de renascimento de slowcore. Ouvir o álbum homónimo, editado neste ano, é como entrar numa cápsula do tempo e escutar Low pela primeira vez. A comparação é algo injusta para os Low, porque o trio era único , e, mais para o final, imprevisível -, mas os The Sleeves concentram bem a fórmula de fazer muito, com pouco. E é por aí que pensamos nos Low. A celeridade com o uso das palavras também ajuda. Mas uma comparação é apenas uma comparação. The Sleeves têm mérito próprio. O segredo está na tal fluidez, que se manifesta nas guitarras, que correm linhas sem fim, encontrando uma solução para o momento seguinte, e como as palavras e frases se justificam a si mesmo, mesmo quando muitas vezes parecem incompletas. O propósito é simples, nas canções de The Sleeves sentimos que há sempre algo por fazer e ambos os músicos são exímios a transmitir isso, pela forma como completam as ideias com algo inacabado. É música que diz tudo porque fica algo por dizer e que transmite que está tudo bem. Por isso é que o controlo não tem ansiedade, porque não é bem controlo, por isso é que a ansiedade nunca se concretiza, porque não há nada com que estar ansioso. Aceita-se que as coisas estão bem assim, como estão. A plenitude de The Sleeves existe naquilo que fica por preencher. O que ouvimos nos silêncios, o que sentimos quando uma ideia parece ter terminado a meio, o que nos apetece fazer quando uma canção termina num murmúrio (de voz, de guitarra, tanto faz) e se fica pendurado numa resposta. Talvez não haja resposta. Os The Sleeves são um belo compromisso do que fica no meio entre sugestão e a realização, com uma fabulosa calma, um relaxe que de facto relaxa. São o ASMR musicado que nunca esperaram ouvir. AS.

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