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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Sun 15 Nov Sunday 15 November

  1. Thu 12 4
  2. Fri 13 9
  3. Sat 14 31
  4. Sun 15 10
  5. Mon 16 2
  6. Tue 17 4
  7. Wed 18 4
  8. Thu 19 9
  9. Fri 20 14

Ongoing: 276 exhibitions, runs & attractions ↓

Morning 2 events
Plant Looms

10:30 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Family friendly Family

In this workshop in the Gulbenkian Garden, families will build looms using plant materials.

PERCURSO DA AUDIÇÃO - Estádio da Tapadinha

11:00 MAAT Belém Lisbon

3€ 6+ Other

Breve Introdução Percurso da Audição , Invisíveis ou inaudíveis Em diálogo com Solitário#3 (2018), de Joana Vasconcelos 15 de novembro 2026 | 10.00, 11.00 | Estádio da Tapadinha O som de um estádio de futebol é normalmente associado a um único registo: a multidão, o grito de golo, o cântico da claque. Sempre em tons gr

Afternoon 4 events
The Wizard of Oz | A Pop Musical

15:00 Casino Estoril Estoril Cascais

M/6 Family friendly Live music

The pop musical 'The Wizard of Oz' brings the magic of the classic story to the stage.

TORAJO | A JOURNEY TO THE WORLD OF FRUITS

15:00 Coliseu dos Recreios Santa Maria Maior Lisbon

30€ 6+ Family friendly Family

Torajo presents a brand-new family show: a journey to the magical planet Verade, where fruit come to life, full of music, adventure, humour and lots of interaction for kids and adults.

Claude Debussy: La mer

17:00 Centro Cultural Olga Cadaval Sintra

M/06 Live music

The Portuguese Symphony Orchestra, conducted by Joseph Swensen, performs key works of French modernism alongside a Portuguese voice, featuring Debussy's La mer, Prélude à l'après-midi d'un faune, and Ravel's Pavane, in a concert mapping the creative effervescence of early modernism.

RAVEL'S BOLERO | OML

17:00 Centro Cultural de Belém Belém Lisbon

20€ DJ set

The Lisbon Metropolitan Orchestra, conducted by Yue Bao, performs works by Ravel, Debussy and Luís de Freitas Branco, including the famous Bolero.

Evening 4 events
LISBON | HUGO SOUSA: JUST BETWEEN US

19:00 Aula Magna Cidade Universitária Lisbon

18€ Theatre

Hugo Sousa presents his stand-up show 'Aqui Entre Nós', with personal stories and humor about everyday life.

Super Ballet: Geordie Greep [Sold Out]

19:00 Lisboa ao Vivo Campo Pequeno Lisbon

23€ Live music

A sold-out Super Ballet show by Geordie Greep, the former Black Midi vocalist, presenting his solo path between art-rock, tropicalia and jazz.

Miss Drag Lisboa 2026

21:00 Capitólio Arroios Lisbon

25€ Theatre

Portugal's biggest drag competition returns to Capitólio for its ninth edition, with eight artists fighting for the crown in a show hosted by Miss Moço.

THE TWILIGHT SAD

21:00 Lisboa ao Vivo Campo Pequeno Lisbon

30€ Live music

Scottish post-punk band The Twilight Sad return to Portugal for two concerts in November, including at LAV Lisboa Ao Vivo on the 15th, with their cathartic and emotionally charged live show.

Exhibitions, runs & attractions 276 events

Gurriers

Live music 21,63€ 12+

Friday 6 November · 21:00

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Casa Capitão Beato · Lisbon

Gurriers bring their debut album Come and See to Lisbon, a noisy reflection on modern unease featuring songs like “Des Goblin” and “Dipping Out”. The show takes place at Casa Capitão with no reserved seats, so arriving early is advised for a good spot.

Full details

As the end of the first quarter of the 21st century approaches, our planet teeters precariously from one crisis to another. Instead of passively watching, Gurriers are launching a fierce counterattack against the malaise of the modern age with a future album of noisy reflection, Come and See. Come and See explores many themes, whether it’s the end of the world, Dublin’s disadvantaged youth, emigrant friends, the rise of the far right, desensitisation to violence, a pope struggling with faith and love, among other things. With songs that observe how modern narcissism is fuelled by addiction to online personas (“Des Goblin”), about the disillusionment of contemporary youth (“Dipping Out”) and ironic anthems lamenting the rise of the far right (“Approachable”), Come and See is not an ordinary debut album, but an electrifying statement of intent from five people tired of tiptoeing around chaos. “It’s impossible to overstate how impressive this album is. It’s not impressive for a debut; it’s not impressive for a punk album; it’s simply impressive. It’s unequivocal, unapologetic, frankly unbelievable.” 5/5, Dork Magazine. There are no seated or assigned places at Casa Capitão concerts. To guarantee a good position in front of the stage, it’s best to arrive early. And be ready to spend an hour or two standing.

Show original (Portuguese)

À medida que o fim do primeiro quarto do século XXI se aproxima cada vez mais, o nosso planeta oscila precariamente de uma crise para a outra. Em vez de ficarem passivamente a assistir, os Gurriers estão a lançar um contra-ataque feroz contra o mal-estar da era moderna com um futuro álbum de reflexão ruidosa, Come and See. Come and See explora muitos temas, sejam eles o fim do mundo, a juventude desfavorecida de Dublin, os amigos emigrantes, a ascensão da extrema-direita, a dessensibilização à violência, um papa a lutar com a fé e o amor, entre outras coisas. Com canções que observam como o narcisismo moderno é alimentado pelo vício em personas online (“Des Goblin”), sobre a desilusão da juventude contemporânea (“Dipping Out”) e hinos irónicos que lamentam a ascensão da extrema-direita (“Approachable”), Come and See não é um álbum de estreia comum, mas sim uma declaração de intenções eletrizante de cinco pessoas fartas de andar na ponta dos pés à volta do caos. “É impossível exagerar o quão impressionante este álbum é. Não é impressionante para uma estreia; não é impressionante para um álbum de punk; é simplesmente impressionante. É inequívoco, não se desculpa, é francamente inacreditável.” 5/5 , Dork Magazine. Não há lugares sentados, nem marcados, nos concertos da Casa Capitão. Para garantir uma boa posição face ao palco, convém chegar cedo. E pronto para passar uma ou duas horas em pé.

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