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Lisbon, Sintra & Cascais
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October 2026

Tap a day, then a later one for a range.

Fri 6 Nov Friday 6 November

  1. Tue 3 3
  2. Wed 4 6
  3. Thu 5 8
  4. Fri 6 15
  5. Sat 7 24
  6. Sun 8 8
  7. Mon 9 8
  8. Tue 10 7
  9. Wed 11 6

Ongoing: 359 exhibitions, runs & attractions ↓

No time published 3 events
14th Teachers' Night

Pavilhão do Conhecimento Parque das Nações Lisbon

Other

The 14th edition of Teachers' Night, an event dedicated to teachers.

3rd National Conference on Ocean Literacy

Pavilhão do Conhecimento Parque das Nações Lisbon

Workshops & talks

National conference dedicated to ocean literacy, promoting education and awareness about the importance of the oceans.

Evening 10 events
Guided Tours with Portuguese Sign Language

18:00 Museu do Oriente. Lisbon

6€ M/16 Other

The Museu do Oriente offers guided evening visits to several exhibitions, with tours accompanied by Portuguese Sign Language interpretation on selected dates, focusing on Japan customs and the Portuguese presence in Asia.

SKRYABIN (UA)

20:00 República da Música Alvalade Lisbon

29€ Live music

Ukrainian band Skryabin plays República da Música in Lisbon on 6 November 2026, performing their most beloved songs live; doors open at 20:00 and the concert starts at 21:00, with tickets from 29€.

Tonight We Shout: "Vitória" by Pau Miró

21:00 BOTA Lisbon

5€ Party

Tonight We Shout is a cycle of performed readings of theatrical texts, promoted by Companhia Cepa Torta, celebrating its 10th anniversary. This edition presents 'Vitória' by Pau Miró, about a widow in 1950s Barcelona who discovers the need to fight.

Gurriers

21:00 Casa Capitão Beato Lisbon

21,63€ 12+ Live music

Gurriers bring their debut album Come and See to Lisbon, a noisy reflection on modern unease featuring songs like “Des Goblin” and “Dipping Out”. The show takes place at Casa Capitão with no reserved seats, so arriving early is advised for a good spot.

MIND YOUR FEST

21:00 Village Underground Lisboa Alcântara Lisbon

Party

Mind Your Fest takes place on Friday, November 6, from 9pm to 6am.

The Barber of Seville | Opera by Gioachino Rossini

21:00 Casino Estoril Estoril Cascais

40€ Todas as idades Family friendly Live music

Rossini's celebrated opera buffa returns to Portuguese stages in November 2026 with three performances, including one at the Coliseu dos Recreios in Lisbon.

YOTTO | MISTY FEST

21:00 Lisboa ao Vivo Campo Pequeno Lisbon

M/6 Live music

Finnish producer and DJ YOTTO, founder of the label Odd One Out, makes his Misty Fest debut with intense sets that blend house, techno and cinematic atmospheres. His hypnotic, emotional sound universe arrives for the Portuguese audience.

FESTA DO JAZZ 2026 | JULIA PERMINOVA TRIO

21:30 Centro Cultural de Belém Belém Lisbon

20€ Live music

Siberian-born pianist and composer Julia Perminova leads her Amsterdam-formed trio, with Portuguese drummer Luís Possollo and French bassist Matis Regnault, in a vibrant jazz that crosses classical music and contemporary expression, marked by musical narrative and spontaneous dialogue.

Basement Love x Toy Tonics

22:00 Those Who Dance Lisbon

18+ DJ set

Basement Love and Toy Tonics reunite for a second party at Those Who Dance on November 6, with Toy Tonics bringing Bárbara Boeing and ALOT alongside local heroes Tiago Oudman and Afonso for a full night of house and disco.

FESTA DO JAZZ 2026 | LUÍS VICENTE TRIO

22:45 Centro Cultural de Belém Belém Lisbon

20€ Live music

Trumpeter Luís Vicente's trio, with Gonçalo Almeida on double bass and Pedro Melo Alves on drums, expands into a quintet with pianist Leo Genovese and American saxophonist Tony Malaby — an electrifying encounter between Lisbon's free jazz energy and the spirit of the New York avant-garde.

Exhibitions, runs & attractions 359 events

Mahler's Symphony No. 6 'Tragic'

Sinfonia n.º 6 «Trágica» de Mahler

Live music 20€

Sunday 21 February · 17:00

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Centro Cultural de Belém Belém · Lisbon

Mahler's Symphony No. 6 'Tragic' is a monumental four-movement work composed between 1903 and 1904, exploring dark and devastating emotions, especially in the final movement.

Full details

Gustav Mahler's Symphony No. 6, 'Tragic', was largely composed during the summers of 1903 and 1904, during a break from his duties as director of the Vienna Opera, a position he had held since 1897. The work, in four movements, premiered on May 27, 1906, in Essen, with the score already subject to revision, under the musical direction of the composer himself. Symphony No. 6 was composed at an important time in his life, preceded by his marriage to Alma Schindler in 1902 and the birth of his two daughters, Maria Anna and Anna, in 1902 and 1904, respectively. In this symphonic work we hear grand, almost sublime romantic gestures, as well as marked moments of an almost martial character. However, the overwhelming final movement offers the listener a play of dark and devastating emotions, where the world seems to collapse upon a man in deep despair and agony. Mahler uses the great orchestra in all its monumentality, building a range of textures and varying emotional intensities, sometimes with fragmented musical ideas. In the years following the work's premiere, a dramatic period of his life began, marked by criticism of his work and subsequent dismissal from the Vienna Opera, the death of his eldest daughter, Maria, and the discovery of his serious heart condition.

Show original (Portuguese)

A Sinfonia n.º 6, «Trágica», de Gustav Mahler, foi composta, em grande parte, nos verões de 1903 e 1904, na pausa dos seus afazeres como diretor da Ópera de Viena, cargo que ocupara desde 1897. A obra, em quatro andamentos, foi estreada a 27 de maio de 1906, em Essen, com a partitura já sujeita a revisão, sob a direção musical do próprio compositor. A Sinfonia n.º 6 foi composta num momento importante da sua vida, antecedido pelo casamento com Alma Schindler, em 1902, e pelo nascimento das suas duas filhas, Maria Anna e Anna, em 1902 e 1904, respetivamente. Ouvimos nesta obra sinfónica grandes. gestos românticos, quase sublimes, assim como momentos marcados e de carácter quase marcial. Todavia, o último andamento, arrebatador, proporciona ao ouvinte um jogo de emoções sombrias e dilacerantes, onde o mundo parece abater-se sobre um homem em profundo desespero e agonia. Mahler utiliza a grande orquestra em toda a sua monumentalidade, construindo um leque de texturas e intensidades emocionais variáveis, por vezes com ideias musicais fragmentadas. Nos anos seguintes à estreia da obra, iniciar-se-ia um período dramático da sua vida, marcado pelas críticas ao seu trabalho e posterior demissão da Ópera de Viena, pela morte da sua filha mais velha, Maria, e pela descoberta da sua doença cardíaca grave.

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