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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Sun 25 Oct Sunday 25 October

  1. Thu 22 20
  2. Fri 23 25
  3. Sat 24 47
  4. Sun 25 16
  5. Mon 26 11
  6. Tue 27 8
  7. Wed 28 12
  8. Thu 29 18
  9. Fri 30 23

Ongoing: 283 exhibitions, runs & attractions ↓

Morning 2 events
GYOTAKU - LITTLE FISH FROM THE GARDEN AND THE SEA | painting workshop

10:30 Museu do Oriente. Lisbon

25€ M/14 Workshops & talks

In this workshop, participants observe fish representations in the Museu do Oriente exhibitions and learn the Japanese printing technique Gyotaku, applying it to fish and plants. Led by Isabel Constantino Gonçalves and Marisa Noblejas, it requires no previous experience and is aimed at ages 14+.

Journey to America

11:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Live music

The Sunday Concerts cycle kicks off with a program featuring works by Copland, Bernstein, Arturo Márquez, and Gabriela Ortiz.

Afternoon 9 events
Ikebana

12:00 Albuquerque Foundation Sintra

45€ Other

Workshop on Ikebana, the Japanese art of flower arrangement, with access to exhibitions.

The Missing Half

16:00 Casa Capitão Beato Lisbon

9€ Todas as idades Live music

'The Missing Half' is a show-workshop about the search for what completes us, described as a declaration of love to things, from the simplest to the most complex, from a flower to a hug. It takes place at Casa Capitão as a standing-room-only performance.

Tonight We Shout - "Samotrácias"

16:00 Biblioteca de Marvila Lisbon

5€ Party

Tonight We Shout is a cycle of performed readings of theatrical texts, promoted by Companhia Cepa Torta, celebrating its 10th anniversary. This edition presents 'Samotrácias', a cry from three women longing to emigrate.

SAMBA DE OCASIÃO: 7th Edition

16:00 Village Underground Lisboa Alcântara Lisbon

DJ set

Samba de Ocasião returns for its 7th edition on a Sunday afternoon, with a DJ set from 4pm to 10pm.

Tribute Concert to Prof. José António Piñeiro Nagy OCCO

17:00 Auditório Senhora da Boa Nova Estoril Cascais

Free Live music

An OCCO tribute concert honouring Prof. José António Piñeiro Nagy, creator and director of the Estoril Lisbon Festival, with a programme spanning Portuguese and international composers and ending with Tchaikovsky’s Serenade for Strings.

PRAGA AT THE MUSEUM: performance tour

17:00 MAAT Belém Lisbon

15€ Exhibition

Teatro Praga challenges audiences to attend performance tours of the exhibition 'Turn around. Um olhar sobre a Coleção de Arte Fundação EDP', mediated by Cláudia Jardim and Diogo Bento in a celebratory, party-like spirit of creative freedom. Drawing on works by artists such as Adriana Proganó and Ana Jotta, rules can be turned upside down in a session of play and fun.

SUPERSTAR

17:00 Teatro Armando Cortez Tires Cascais

M/12 Theatre

The theatre show SUPERSTAR takes to the stage.

Evening 3 events
ISA BUZZI

18:00 Lisboa ao Vivo Campo Pequeno Lisbon

M/6 Live music

Isa Buzzi brings her 'Clube dos Corações Partidos' tour to Casa Capitão, with regular, VIP and Meet & Greet ticket options. Under-16s may only attend accompanied by a parent or legal guardian.

MARINA SENA | "NATURAL THINGS"

21:00 Coliseu dos Recreios Santa Maria Maior Lisbon

40€ 6+ Family friendly Live music

Marina Sena, one of the leading voices of contemporary Brazilian pop, presents her new project 'Natural Things' in a captivating live show.

Juliana Linhares

21:30 Casa Capitão Beato Lisbon

24€ 12+ Live music

Juliana Linhares presents her second album, 'Até Cansar o Cansaço', live in Lisbon, a record inspired by dialogues with neuroscientist Sidarta Ribeiro about collective exhaustion and the world of dreams. The concert takes place on the ground floor of Casa Capitão on 25 October.

Exhibitions, runs & attractions 283 events

Mahler's Symphony No. 6 'Tragic'

Sinfonia n.º 6 «Trágica» de Mahler

Live music 20€

Sunday 21 February · 17:00

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Centro Cultural de Belém Belém · Lisbon

Mahler's Symphony No. 6 'Tragic' is a monumental four-movement work composed between 1903 and 1904, exploring dark and devastating emotions, especially in the final movement.

Full details

Gustav Mahler's Symphony No. 6, 'Tragic', was largely composed during the summers of 1903 and 1904, during a break from his duties as director of the Vienna Opera, a position he had held since 1897. The work, in four movements, premiered on May 27, 1906, in Essen, with the score already subject to revision, under the musical direction of the composer himself. Symphony No. 6 was composed at an important time in his life, preceded by his marriage to Alma Schindler in 1902 and the birth of his two daughters, Maria Anna and Anna, in 1902 and 1904, respectively. In this symphonic work we hear grand, almost sublime romantic gestures, as well as marked moments of an almost martial character. However, the overwhelming final movement offers the listener a play of dark and devastating emotions, where the world seems to collapse upon a man in deep despair and agony. Mahler uses the great orchestra in all its monumentality, building a range of textures and varying emotional intensities, sometimes with fragmented musical ideas. In the years following the work's premiere, a dramatic period of his life began, marked by criticism of his work and subsequent dismissal from the Vienna Opera, the death of his eldest daughter, Maria, and the discovery of his serious heart condition.

Show original (Portuguese)

A Sinfonia n.º 6, «Trágica», de Gustav Mahler, foi composta, em grande parte, nos verões de 1903 e 1904, na pausa dos seus afazeres como diretor da Ópera de Viena, cargo que ocupara desde 1897. A obra, em quatro andamentos, foi estreada a 27 de maio de 1906, em Essen, com a partitura já sujeita a revisão, sob a direção musical do próprio compositor. A Sinfonia n.º 6 foi composta num momento importante da sua vida, antecedido pelo casamento com Alma Schindler, em 1902, e pelo nascimento das suas duas filhas, Maria Anna e Anna, em 1902 e 1904, respetivamente. Ouvimos nesta obra sinfónica grandes. gestos românticos, quase sublimes, assim como momentos marcados e de carácter quase marcial. Todavia, o último andamento, arrebatador, proporciona ao ouvinte um jogo de emoções sombrias e dilacerantes, onde o mundo parece abater-se sobre um homem em profundo desespero e agonia. Mahler utiliza a grande orquestra em toda a sua monumentalidade, construindo um leque de texturas e intensidades emocionais variáveis, por vezes com ideias musicais fragmentadas. Nos anos seguintes à estreia da obra, iniciar-se-ia um período dramático da sua vida, marcado pelas críticas ao seu trabalho e posterior demissão da Ópera de Viena, pela morte da sua filha mais velha, Maria, e pela descoberta da sua doença cardíaca grave.

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