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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Wed 21 Oct Wednesday 21 October

  1. Sun 18 16
  2. Mon 19 9
  3. Tue 20 11
  4. Wed 21 12
  5. Thu 22 19
  6. Fri 23 25
  7. Sat 24 46
  8. Sun 25 16
  9. Mon 26 10

Ongoing: 285 exhibitions, runs & attractions ↓

No time published 2 events
Master Cupijó's Ball

Clube B.Leza Cais do Sodré Lisbon

M/16 Live music

A night of music and dance inspired by the legacy of Master Cupijó.

Afternoon 1 event
Lino Brocka | Maynila Sa Mga Kuko Ng Liwanag

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Cinemateca screens 'Maynila Sa Mga Kuko Ng Liwanag' (Manila in the Claws of Light), a masterpiece by Filipino director Lino Brocka. Tickets cost €3.20, with discounts for Friends of the Cinemateca, Cartão Jovem holders, students, over-65s and other groups.

Evening 9 events
Leitão de Barros | Maria Papoila

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Cinemateca screens 'Maria Papoila', Leitão de Barros's classic of Portuguese cinema. Tickets cost €3.20, with discounts for Friends of the Cinemateca, Cartão Jovem holders, students, over-65s and other groups.

Techno Yoga with Kate Zubok

19:00 Teja House Lisbon

DJ set

Kate Zubok leads Techno Yoga at TEJÁ House in Cais do Sodré every Wednesday — a fusion of breathwork, yoga and conscious movement set to Berlin minimal techno. No experience needed; just arrive a little early.

Gabriel Ferrandini Romance

19:30 TBA - Teatro Bairro Alto Lisbon

14€ Live music

Gabriel Ferrandini presents his new album, Romance, five years after Hair of the Dog. The album explores new narrative structures, including writing for choir and string orchestra, reflecting his collaborative and experimental practice.

Lino Brocka | Ang Tatay Kong Nanay

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Cinemateca screens 'Ang Tatay Kong Nanay', a film by Filipino director Lino Brocka. Tickets cost €3.20, with discounts for Friends of the Cinemateca, Cartão Jovem holders, students, over-65s and other groups.

Gulbenkian Choir a cappella

20:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Live music

Concert by the Gulbenkian Choir conducted by Martina Batič, featuring motets by Bach and works by Portuguese composers, including the premiere of Andreia Pinto Correia.

KELELA

20:00 Lisboa ao Vivo Campo Pequeno Lisbon

20€ Live music

Kelela brings her new album to Lisbon, blending alternative R&B, experimental pop and club music at LAV, with the Primavera Sound seal of quality.

Celeste Barber - Backup Dancer

21:00 Aula Magna Cidade Universitária Lisbon

40€ Theatre

Celeste Barber brings her worldwide tour Backup Dancer to Lisbon. The show combines social satire and personal anecdotes with her trademark humor.

Lino Brocka | Orapronobis

21:45 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Cinemateca screens 'Orapronobis' (Fight for Us), a film by Filipino director Lino Brocka. Tickets cost €3.20, with discounts for Friends of the Cinemateca, Cartão Jovem holders, students, over-65s and other groups.

Mothership

23:59 Lisboa Rio Lisbon

10€ DJ set

Every Wednesday from midnight to 6am, the Visionaries and Freaky Fiction alliance takes over Temple Club with the Mothership — galactic journeys with ritualistic aesthetics, open bar (beer) until 1am and free entry on your birthday.

Exhibitions, runs & attractions 285 events

Claude Debussy: La mer

Live music 25€

Saturday 14 November · 18:30

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Teatro Camões Parque das Nações · Lisbon

The Portuguese Symphony Orchestra, conducted by Joseph Swensen, performs key works of French modernism alongside a Portuguese voice, featuring Debussy's La mer, Prélude à l'après-midi d'un faune, and Ravel's Pavane, in a concert mapping the creative effervescence of early modernism.

Full details

What if, in a single program, one could map the creative effervescence of early modernism, its boundary-breaking, its interartistic dialogues, and its relentless search for a new musical language? The Portuguese Symphony Orchestra, under the baton of Joseph Swensen, presents key works of French modernism centered around a Portuguese voice shaped by the same currents. Opening the concert, Debussy's Prélude à l'après-midi d'un faune (1894), a landmark in music history born from Mallarmé's symbolist poetry. By dissolving the boundaries between rhythms, harmony and orchestral color, this work introduced a new conception of musical time, in which atmosphere supersedes argument and the sinuous theme of the flute drifts adrift, like consciousness itself. Luís de Freitas Branco's Violin Concerto (1916), here performed by Carlos Damas (soloist of the work's Parisian premiere), constitutes a singular achievement in Portuguese music. Based on modal exploration and cyclical forms closer to César Franck than to Impressionism, it reveals a composer navigating between the heritage of the past and an unmistakably personal harmonic voice, decades ahead of its wider recognition. Ravel's Pavane pour une infante défunte (1899), a meditation on a Renaissance court dance, brings stillness and luminous orchestral restraint to the program. Closing the evening, Debussy's ambitious La mer (1905): three symphonic sketches in which the sea becomes an inexhaustible source of color, movement and emotional depth; a work in infinite renewal, like the tides it evokes. Four works, three composers, but a shared conviction: that music, when free from convention, becomes something close to nature itself.

Show original (Portuguese)

E se, num único programa, se pudesse mapear a efervescência criativa do modernismo inicial, o seu galgar de limites, os seus diálogos interartísticos e a sua busca incansável por uma nova linguagem musical? A Orquestra Sinfónica Portuguesa, sob a batuta de Joseph Swensen, apresenta obras-chave do modernismo francês em torno de uma voz portuguesa moldada pelas mesmas correntes. A abrir o concerto, o Prélude à l’après-midi d’un faune (1894) de Debussy, um marco da história da música gerado a partir da poesia simbolista de Mallarmé. Ao dissolver as fronteiras entre ritmos, harmonia e cor orquestral, esta obra introduziu uma nova conceção de tempo musical, na qual a atmosfera suplanta o argumento e o tema sinuoso da flauta flutua à deriva, como a própria consciência. O Concerto para violino e orquestra (1916) de Luís de Freitas Branco, aqui interpretado por Carlos Damas (solista da estreia parisiense da obra), constitui um feito singular na música portuguesa. Baseando-se na exploração modal e de formas cíclicas mais próximas de César Franck do que do Impressionismo, revela um compositor a navegar entre a herança do passado e uma voz harmónica inequivocamente pessoal, décadas à frente do seu reconhecimento mais amplo. A Pavane pour une infante défunte (1899) de Ravel, uma meditação sobre uma dança de corte renascentista, traz quietude e luminosa contenção orquestral ao programa. A fechar o serão, o ambicioso La mer (1905) de Debussy: três esquissos sinfónicos nos quais o mar se converte em fonte inesgotável de cor, movimento e profundidade emocional; uma obra em infinita renovação, como as marés que evoca. Quatro obras, três compositores, mas uma convicção partilhada: a de que a música, quando livre de convenções, se torna algo próximo da própria natureza.

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