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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Wed 21 Oct Wednesday 21 October

  1. Sun 18 16
  2. Mon 19 9
  3. Tue 20 11
  4. Wed 21 12
  5. Thu 22 20
  6. Fri 23 24
  7. Sat 24 49
  8. Sun 25 16
  9. Mon 26 11

Ongoing: 275 exhibitions, runs & attractions ↓

No time published 2 events
Master Cupijó's Ball

Clube B.Leza Cais do Sodré Lisbon

M/16 Live music

A night of music and dance inspired by the legacy of Master Cupijó.

Afternoon 1 event
Lino Brocka | Maynila Sa Mga Kuko Ng Liwanag

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Cinemateca screens 'Maynila Sa Mga Kuko Ng Liwanag' (Manila in the Claws of Light), a masterpiece by Filipino director Lino Brocka. Tickets cost €3.20, with discounts for Friends of the Cinemateca, Cartão Jovem holders, students, over-65s and other groups.

Evening 9 events
Leitão de Barros | Maria Papoila

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Cinemateca screens 'Maria Papoila', Leitão de Barros's classic of Portuguese cinema. Tickets cost €3.20, with discounts for Friends of the Cinemateca, Cartão Jovem holders, students, over-65s and other groups.

Techno Yoga with Kate Zubok

19:00 Teja House Lisbon

DJ set

Kate Zubok leads Techno Yoga at TEJÁ House in Cais do Sodré every Wednesday — a fusion of breathwork, yoga and conscious movement set to Berlin minimal techno. No experience needed; just arrive a little early.

Gabriel Ferrandini Romance

19:30 TBA - Teatro Bairro Alto Lisbon

14€ Live music

Gabriel Ferrandini presents his new album, Romance, five years after Hair of the Dog. The album explores new narrative structures, including writing for choir and string orchestra, reflecting his collaborative and experimental practice.

Lino Brocka | Ang Tatay Kong Nanay

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Cinemateca screens 'Ang Tatay Kong Nanay', a film by Filipino director Lino Brocka. Tickets cost €3.20, with discounts for Friends of the Cinemateca, Cartão Jovem holders, students, over-65s and other groups.

Gulbenkian Choir a cappella

20:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Live music

Concert by the Gulbenkian Choir conducted by Martina Batič, featuring motets by Bach and works by Portuguese composers, including the premiere of Andreia Pinto Correia.

KELELA

20:00 Lisboa ao Vivo Campo Pequeno Lisbon

20€ Live music

Kelela brings her new album to Lisbon, blending alternative R&B, experimental pop and club music at LAV, with the Primavera Sound seal of quality.

Celeste Barber - Backup Dancer

21:00 Aula Magna Cidade Universitária Lisbon

40€ Theatre

Celeste Barber brings her worldwide tour Backup Dancer to Lisbon. The show combines social satire and personal anecdotes with her trademark humor.

Lino Brocka | Orapronobis

21:45 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Cinemateca screens 'Orapronobis' (Fight for Us), a film by Filipino director Lino Brocka. Tickets cost €3.20, with discounts for Friends of the Cinemateca, Cartão Jovem holders, students, over-65s and other groups.

Mothership

23:59 Lisboa Rio Lisbon

10€ DJ set

Every Wednesday from midnight to 6am, the Visionaries and Freaky Fiction alliance takes over Temple Club with the Mothership — galactic journeys with ritualistic aesthetics, open bar (beer) until 1am and free entry on your birthday.

Exhibitions, runs & attractions 275 events

Easter Concert: Verdi's Requiem

Concerto de Páscoa: Requiem de Verdi

Live music

Saturday 27 March · 17:00

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Centro Cultural Olga Cadaval Sintra

Easter concert featuring Verdi's monumental Requiem, an operatic work that challenges the constraints of the genre.

Full details

Giuseppe Verdi's Messa da Requiem is one of the most monumental works written in the genre, in its scope and musical writing, challenging some of the constraints usually associated with this type of repertoire. The idea of composing a Requiem Mass arose from a historical motivation and personal admiration, despite previous attempts. After the death of writer Alessandro Manzoni in 1873, a figure Verdi greatly admired for his qualities as a novelist and humanist, and particularly for his literary contribution to the Risorgimento movement, the composer proposed the composition of a Messa da Requiem, an idea well received by the Mayor of Milan. Verdi threw himself into composing the work with the intention of premiering it on the first anniversary of Manzoni's death, on 22 May 1874. The premiere took place on that date at the Church of San Marco in Milan, under his baton and with a cast of renowned opera singers. The operatic language marks Verdi's approach to the genre, and the work was later presented in several opera houses. A few days after the premiere, it was performed at La Scala in Milan. Throughout the sections of the work, Verdi uses different expressive resources that mark inspired melodies, dramatic and tense moments, passing through almost ethereal sonorities, in a breathtaking musical writing.

Show original (Portuguese)

A Messa da Requiem de Giuseppe Verdi é uma das mais monumentais obras escritas dentro do género, pela sua envergadura e pela sua escrita musical, que desafiam alguns dos constrangimentos usualmente associados a esta tipologia de repertório. A ideia de compor uma Missa de Requiem surgiu de uma motivação histórica e admiração pessoal, apesar das tentativas anteriores. Após a morte do escritor Alessandro Manzoni, em 1873, figura que Verdi muito admirava pelas qualidades de novelista e humanista, e em particular pelo seu contributo literário para o movimento do Risorgimento , o compositor propôs a composição de uma Messa da Requiem , ideia bem acolhida pelo presidente da Câmara de Milão. Verdi lançou-se na composição da obra com o intuito de a estrear por ocasião do primeiro aniversário da morte de Manzoni, a 22 de maio de 1874. A estreia ocorreu nessa data, na Igreja de São Marcos, em Milão, sob a sua batuta e com um elenco de renomados cantores líricos. A linguagem operática marca a abordagem de Verdi ao género, sendo a obra apresentada posteriormente em vários teatros de ópera. Poucos dias após a estreia, foi interpretada no Teatro alla Scala de Milão. Ao longo das secções da obra, Verdi utiliza diferentes recursos expressivos que marcam as melodias inspiradas, momentos dramáticos e. tensos, passando por sonoridades quase etéreas, numa escrita musical arrebatadora.

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