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Lisbon, Sintra & Cascais
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October 2026

Tap a day, then a later one for a range.

Mon 19 Oct Monday 19 October

  1. Fri 16 40
  2. Sat 17 72
  3. Sun 18 27
  4. Mon 19 16
  5. Tue 20 19
  6. Wed 21 26
  7. Thu 22 36
  8. Fri 23 38
  9. Sat 24 62

Ongoing: 422 exhibitions, runs & attractions ↓

No time published 1 event
Beethoven's Ninth

Teatro Tivoli BBVA Santo António Lisbon

M/6 Live music

The Orquestra Metropolitana de Lisboa, conducted by Pedro Neves, performs Beethoven's Ninth Symphony, which ends in the famous Ode to Joy, alongside Eurico Carrapatoso's A Canção da Urze and the world premiere of Alexêi Tolpygo's Três Poemas Portugueses.

Morning 1 event
Doclisboa2026 - Portuguese Competition | People and Power

10:00 Cinema São Jorge Arroios Lisbon

5€ Cinema

Ico Costa's 'People and Power' portrays Mozambique's 2024 presidential elections, revealing a grave political crisis as FRELIMO, in power since 1975, loses the trust of a population disillusioned with inequality, corruption and the lack of freedom of expression; in a direct cinema style, the film gives voice to the people. World premiere, eligible for the Rights and Liberties Award.

Afternoon 3 events
Doclisboa2026 - International Competition | Smarty

14:00 Cinema São Jorge Arroios Lisbon

5€ Cinema

Exiled director Nikita Lavretski (played by Belarusian filmmaker Sergey Kolosovski) tries to cross European borders to reunite with his wife, wondering whether he is condemned to relive the past forever; a playful take on autofiction and a Proustian experience of recovered time. World premiere in the International Competition.

Lino Brocka | Insiang

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A screening of 'Insiang' as part of the series dedicated to Filipino director Lino Brocka. Tickets cost 3,20€, with discounts for Friends of the Cinemateca, young people, students and over-65s.

Doclisboa 2026's Earth to the Moon session brings three restored films by the Collectif Mohamed — The Garage, Immigration Zone and Ils ont tué Kader — to São Jorge, Sala 3 on 19 October at 16.30, with Portuguese premieres. A rebellious triptych about self-management, everyday violence and the murder of Kader Lareiche, presented by the Cinémathèque idéale des banlieues du monde.

Evening 9 events
The Oliveira Lima Library in Lisbon

18:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Other

A presentation session introducing the Oliveira Lima Library and its documentary and artistic collection to the research community and Portuguese academia.

In Doclisboa 2026's International Competition, Mariano Donoso Makowski world-premieres Saturn or a Brief Treatise on Melancholy, following Rubén Díaz, a craftsman, Falklands War veteran and healer known as Caballo Loco, who holds a secret winter-solstice ceremony in Lagunas del Rosario, Mendoza. Screenings on 19 and 23 October at São Jorge, Sala 3.

A Portuguese Competition session with two world premieres eligible for the Short Film Award: Inês Sapeta Dias's The House Is the Ruin of a House, which maps a century-old house standing in the mouth of a giant, nearly extinct volcano, and Raul Domingues's Hipogeus, inspired by the archaeoacoustics of prehistoric tombs. On 19 October at 19.00, São Jorge, Sala M. Oliveira.

Lino Brocka | Bona

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A screening of 'Bona' as part of the series dedicated to Filipino director Lino Brocka. Tickets cost 3,20€, with discounts for Friends of the Cinemateca, young people, students and over-65s.

Lino Brocka | Ina, Kapatid, Anak

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A screening of Lino Brocka's Ina, Kapatid, Anak at the Cinemateca, a drama about the bonds between a mother, her children and their siblings. Tickets are 3,20€, with discounts available.

COCK

21:00 Teatro Maria Matos Alvalade Lisbon

M/16 Theatre

A theatre play titled COCK.

Doclisboa2026 - Portuguese Competition | Visits from a Distant Relative

21:30 Cinema São Jorge Arroios Lisbon

5€ Cinema

In Doclisboa 2026's Portuguese Competition, Inês Oliveira world-premieres Visits from a Distant Relative, in which photographer Mariana Viegas returns to the images of 35mm film sets she took over seven years while working with filmmakers such as Šarunas Bartas, Pedro Costa and Manoel de Oliveira. Screening on 19 October at 21.30, São Jorge, Sala M. Oliveira.

Lino Brocka | Cain e Abel

21:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A screening of Lino Brocka's Cain e Abel at the Cinemateca, a portrait of the rivalry between two brothers. Tickets are 3,20€, with discounts available.

Doclisboa2026 - Risks | Todo todo teros

21:45 Cinema São Jorge Arroios Lisbon

5€ Cinema

In Doclisboa 2026's Risks section, the Portuguese premiere of John Torres's Todo todo teros (2006), a surreal look at Manila built mostly from archive footage of close friends, Filipino musicians and performance artists, in which an artist wakes up in the skin of a terrorist. Screenings on 19 and 25 October at São Jorge, Sala 3.

Exhibitions, runs & attractions 422 events

Un ballo in maschera

Live music

Sunday 2 May · 17:00

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Centro Cultural de Belém Belém · Lisbon

Verdi's opera about a king in love with his best friend's wife, a political conspiracy and a masked ball where all the threads of the plot converge; this new São Carlos production adds another chapter to Lisbon's long relationship with the work.

Full details

A king in love with his best friend's wife; a conspirator who discovers the betrayal too late to act honourably; a fortune-teller whose prophecy no one wants to believe; and a masked ball where all the threads of the plot converge. Premiered at the Teatro Apollo in Rome on 17 February 1859, Un ballo in maschera is one of Verdi's most singular works. The story of its creation is as dramatic as the plot itself: commissioned by the Teatro di San Carlo in Naples, it was blocked by the censors in the aftermath of the assassination attempt on Napoleon III of France. Verdi refused the censors' corrections and eventually broke his contract with the Neapolitan institution. When it finally reached the stage, with the original Swedish setting transformed under Roman censorship into colonial Boston, the opera had survived a lawsuit and two years of obstacles. The libretto by Antonio Somma, inspired by Eugène Scribe, is based on a historical event: the murder of King Gustav III of Sweden at a masked ball in 1792. In Verdi's hands, a political conspiracy and a secret love become inextricable, as the friendship between the King and Renato, his adviser, collapses under the weight of a passion neither can control. The score moves between tragedy and lightness with remarkable ease, especially in the pages entrusted to Oscar, the King's page, whose music radiates the distinctly French lightness that Verdi absorbed from his experience on Parisian stages. Lisbon holds a special place in the history of this opera: on 15 April 1860, just over a year after the Rome premiere, the then Royal Theatre of São Carlos was the first opera house to stage Un ballo in maschera outside Italy, with Gaetano Fraschini, the tenor who had created the title role, repeating it in the Portuguese capital. Since then, the opera has returned to São Carlos several times. This new production adds another chapter to that long relationship.

Show original (Portuguese)

Um rei apaixonado pela mulher do seu melhor amigo; um conspirador que descobre a traição demasiado tarde para agir honradamente; uma vidente em cuja profecia ninguém quer acreditar; e um baile de máscaras onde convergem todos os fios da trama. Estreado no Teatro Apollo de Roma em 17 de fevereiro de 1859, Un ballo in maschera é uma das obras mais singulares de Verdi. A história da sua criação é tão dramática quanto o próprio enredo: encomendada pelo Teatro di San Carlo de Nápoles, acabou barrada pelo crivo da censura no rescaldo da tentativa de assassinato de Napoleão III de França. Verdi recusou as correções dos censores, acabando por romper o contrato com a instituição napolitana. Quando, finalmente, chegou ao palco , com o cenário original sueco transformado, sob censura romana, na Boston colonial , , a ópera sobrevivera a um processo judicial e a dois anos de obstáculos. O libreto de Antonio Somma, inspirado em Eugène Scribe, baseia-se num acontecimento histórico: o assassínio do rei Gustavo III da Suécia, num baile de máscaras, em 1792. Nas mãos de Verdi, uma conspiração política e um amor secreto tornam-se inextricáveis, quando a amizade entre o Rei e Renato, seu conselheiro, se desmorona sob o peso de uma paixão que nenhum dos dois consegue controlar. A partitura move-se entre a tragédia e a leveza com notável facilidade, sobretudo nas páginas confiadas a Oscar, o pajem do Rei, cuja música irradia a ligeireza distintivamente francesa que Verdi incorporou da sua experiência nos palcos parisienses. Lisboa ocupa um lugar especial na história desta ópera: a 15 de abril de 1860, pouco mais de um ano após a estreia em Roma, o então Real Teatro de São Carlos foi a primeira casa de ópera a levar Un ballo in maschera à cena fora de Itália, com Gaetano. Fraschini, o tenor que havia criado o papel do protagonista, a repeti-lo na capital portuguesa. De então para cá, a ópera regressou várias vezes ao São Carlos. Esta nova produção acrescenta outro capítulo a essa longa relação.

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