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Lisbon, Sintra & Cascais
Lisbon, Sintra & Cascais LisbonSintraCascais
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In the spotlight

Our picks for the next 14 days

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October 2026

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Tap a day, then a later one for a range.

Wed 14 Oct Wednesday 14 October

  1. Sun 11 37
  2. Mon 12 17
  3. Tue 13 13
  4. Wed 14 19
  5. Thu 15 27
  6. Fri 16 33
  7. Sat 17 64
  8. Sun 18 20
  9. Mon 19 9

Ongoing: 419 exhibitions, runs & attractions ↓

No time published 1 event
André Santos invites Sopa de Pedra

Teatro Maria Matos Alvalade Lisbon

20€ Live music

In October, Maria Matos hosts Treze Raios, the meeting between Madeiran guitarist André Santos and Porto collective Sopa de Pedra: original repertoire born from artistic residencies in Madeira, where the sound of the conch shell, kneaded bread, prayers and stories of emigration, levadas, embroiderers and whale fishing feed a dialogue between solo guitar and voices singing.

Morning 1 event
MU.SA invites you to discover the art of illustration

10:00 MU.SA - Museu das Artes de Sintra Sintra

Other

On 14 and 17 October, MU.SA — the Museum of Arts of Sintra — hosts the “Danuta Wojciechowska” illustration workshops, an invitation to discover the art of illustration.

Afternoon 1 event
Lado BB | The Truth

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB strand screens La Vérité, Hirokazu Kore-eda's drama in which Catherine Deneuve plays a film star whose fragile relationship with her daughter resurfaces; tickets are 3,20€ with discounts available.

Evening 9 events
Joshua Decter - The History of Art on Social Media

18:00 Pavilhão Julião Sarmento Lisbon

Free Exhibition

A series of three lectures by Joshua Decter, in partnership with AIR 351, proposing a revisionist history of contemporary art through its recontextualisation on social media. The event will be conducted in English.

THE HEAT OF LISBON

18:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

THE HEAT OF LISBON live in concert, with sets from Eimhéar Rebel, Shea Doolin and Jjg.

Noémia Delgado | Máscaras

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A screening of Noémia Delgado's film "Máscaras", with tickets at 3,20€ and discounts for Friends of the Cinemateca, students, over-65s and other groups.

Techno Yoga with Kate Zubok

19:00 Teja House Lisbon

DJ set

Kate Zubok — DJ, producer, free diver and yogi — leads Techno Yoga, a fusion of breathwork, conscious movement and dancing to Berlin minimal techno, every Wednesday at TEJÁ House on the Cais do Sodré riverside.

Lado BB | Et Dieu... Créa La Femme

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB programme at the Cinemateca screens Et Dieu... Créa La Femme, with general tickets at 3,20€ and discounts available.

TEMPERS

21:00 Casa Capitão Beato Lisbon

24€ 12+ Live music

Tempers, Jasmine Golestaneh's solo project, brings the songs from the new album 'Delusion' (2026) live to the Rés do Chão on 14 October. Synth-pop, techno, post-punk and shoegaze continue to define her sonic universe.

Lado BB | Viva Maria!

21:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB cycle dedicated to Brigitte Bardot screens Viva Maria!, Louis Malle's adventure comedy starring Bardot and Jeanne Moreau, at the Cinemateca; tickets are 3,20€ with discounts for Cinemateca friends, young people, students and seniors.

Nina Maia

22:00 Casa Capitão Beato Lisbon

11€ 12+ Live music

Nina Maia presents the songs from her acclaimed debut album 'INTEIRA' (2024) at the Sótão da Casa on 14 October, where MPB and bossa nova meet indie-pop. Tickets cost €10 + fees online and €13 at the door.

Mothership

23:59 Lisboa Rio Lisbon

10€ DJ set

Every Wednesday from midnight to 6am at Temple Club, the Visionaries x Freaky Fiction alliance boards the Mothership for galactic explorations, with an open beer bar until 01:00 and free entry on your birthday.

Exhibitions, runs & attractions 419 events

Christmas Concert - Bach's Mass in B minor

Concerto de Natal - Missa em si menor de Bach

Live music 20€

Sunday 20 December · 17:00

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Centro Cultural de Belém Belém · Lisbon
All events at this venue 123 Directions

Bach's Mass in B minor, BWV 232, is one of the composer's most monumental works, completed between 1749 and 1750. This Christmas concert invites audiences into Bach's world through rich choral textures and formal mastery.

Full details

The Mass in B minor, BWV 232, by J. S. Bach, constitutes one of the most colossal works of his musical output, being placed among his works of greatest grandeur and importance. Its structural scale places us before a musical monument that results from the labour of a lifetime. Bach, a composer skilful in reusing musical materials, completed this Mass in the final years of his life, between 1749 and 1750. To this end, he used previously composed musical materials, some of which had been performed earlier, dating back to the 20s and 30s, and others composed from scratch. The work therefore presents a confluence of styles and compositional techniques that the composer adopted throughout his life, making it a unique work, a synthesis of styles and contrasts, almost like a musical biography. The composition in Latin, rather than German, includes the Ordinary of the Mass, pointing to the possible contexts of its performance, which, moreover, remain a matter of discussion among specialists in the composer's output. The work invites us to enter Bach's world through the richness of the choral textures, the latent stylistic variety and an unequivocal formal mastery and command of writing for choir and orchestra. The Mass in B minor probably had its first complete performance in 1859 in Leipzig, more than a century after the composer's death.

Show original (Portuguese)

A Missa em si menor , BWV 232, de J. S. Bach, constitui um dos trabalhos mais colossais da sua produção musical, sendo colocado entre as suas obras de maior grandiosidade e importância. A sua envergadura estrutural coloca-nos perante um monumento musical que resulta do labor de uma vida. Bach, compositor exímio no reaproveitamento de materiais musicais, completou esta missa nos derradeiros anos da sua vida, entre 1749 e 1750. Utilizou, para o efeito, materiais musicais previamente compostos, e alguns anteriormente executados, que remontam aos anos 20 e 30, e outros compostos de raiz. A obra apresenta, por isso, uma confluência de estilos e técnicas de composição que o compositor adotou ao longo da sua vida, tornando-a numa obra ímpar, uma síntese de estilos e contrastes, quase como uma biografia musical. A composição em latim, ao invés do alemão, inclui o ordinário da Missa, apontando para os possíveis contextos de apresentação da mesma que, de resto, permanecem motivo de discussão entre os especialistas na produção do compositor. A obra convida-nos a entrar no mundo bachiano através da riqueza das texturas corais, da variedade estilística latente e de uma inequívoca mestria formal e do domínio da escrita para coro e orquestra. A Missa em si menor teve, provavelmente, a sua primeira audição integral em 1859, em Leipzig, mais de um século volvido da morte do compositor.

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