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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Wed 14 Oct Wednesday 14 October

  1. Sun 11 30
  2. Mon 12 14
  3. Tue 13 11
  4. Wed 14 17
  5. Thu 15 21
  6. Fri 16 26
  7. Sat 17 51
  8. Sun 18 16
  9. Mon 19 9

Ongoing: 276 exhibitions, runs & attractions ↓

Morning 1 event
MU.SA invites you to discover the art of illustration

10:00 MU.SA - Museu das Artes de Sintra Sintra

Other

On 14 and 17 October, MU.SA — the Museum of Arts of Sintra — hosts the “Danuta Wojciechowska” illustration workshops, an invitation to discover the art of illustration.

Afternoon 1 event
Lado BB | The Truth

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB strand screens La Vérité, Hirokazu Kore-eda's drama in which Catherine Deneuve plays a film star whose fragile relationship with her daughter resurfaces; tickets are 3,20€ with discounts available.

Evening 9 events
Joshua Decter - The History of Art on Social Media

18:00 Pavilhão Julião Sarmento Lisbon

Free Exhibition

A series of three lectures by Joshua Decter, in partnership with AIR 351, proposing a revisionist history of contemporary art through its recontextualisation on social media. The event will be conducted in English.

THE HEAT OF LISBON

18:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

THE HEAT OF LISBON live in concert, with sets from Eimhéar Rebel, Shea Doolin and Jjg.

Noémia Delgado | Máscaras

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A screening of Noémia Delgado's film "Máscaras", with tickets at 3,20€ and discounts for Friends of the Cinemateca, students, over-65s and other groups.

Techno Yoga with Kate Zubok

19:00 Teja House Lisbon

DJ set

Kate Zubok — DJ, producer, free diver and yogi — leads Techno Yoga, a fusion of breathwork, conscious movement and dancing to Berlin minimal techno, every Wednesday at TEJÁ House on the Cais do Sodré riverside.

Lado BB | Et Dieu... Créa La Femme

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB programme at the Cinemateca screens Et Dieu... Créa La Femme, with general tickets at 3,20€ and discounts available.

TEMPERS

21:00 Casa Capitão Beato Lisbon

24€ 12+ Live music

Tempers, Jasmine Golestaneh's solo project, brings the songs from the new album 'Delusion' (2026) live to the Rés do Chão on 14 October. Synth-pop, techno, post-punk and shoegaze continue to define her sonic universe.

Lado BB | Viva Maria!

21:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB cycle dedicated to Brigitte Bardot screens Viva Maria!, Louis Malle's adventure comedy starring Bardot and Jeanne Moreau, at the Cinemateca; tickets are 3,20€ with discounts for Cinemateca friends, young people, students and seniors.

Nina Maia

22:00 Casa Capitão Beato Lisbon

11€ 12+ Live music

Nina Maia presents the songs from her acclaimed debut album 'INTEIRA' (2024) at the Sótão da Casa on 14 October, where MPB and bossa nova meet indie-pop. Tickets cost €10 + fees online and €13 at the door.

Mothership

23:59 Lisboa Rio Lisbon

10€ DJ set

Every Wednesday from midnight to 6am at Temple Club, the Visionaries x Freaky Fiction alliance boards the Mothership for galactic explorations, with an open beer bar until 01:00 and free entry on your birthday.

Exhibitions, runs & attractions 276 events

Easter Concert: Verdi's Requiem

Concerto de Páscoa: Requiem de Verdi

Live music

Saturday 27 March · 17:00

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Centro Cultural Olga Cadaval Sintra

Easter concert featuring Verdi's monumental Requiem, an operatic work that challenges the constraints of the genre.

Full details

Giuseppe Verdi's Messa da Requiem is one of the most monumental works written in the genre, in its scope and musical writing, challenging some of the constraints usually associated with this type of repertoire. The idea of composing a Requiem Mass arose from a historical motivation and personal admiration, despite previous attempts. After the death of writer Alessandro Manzoni in 1873, a figure Verdi greatly admired for his qualities as a novelist and humanist, and particularly for his literary contribution to the Risorgimento movement, the composer proposed the composition of a Messa da Requiem, an idea well received by the Mayor of Milan. Verdi threw himself into composing the work with the intention of premiering it on the first anniversary of Manzoni's death, on 22 May 1874. The premiere took place on that date at the Church of San Marco in Milan, under his baton and with a cast of renowned opera singers. The operatic language marks Verdi's approach to the genre, and the work was later presented in several opera houses. A few days after the premiere, it was performed at La Scala in Milan. Throughout the sections of the work, Verdi uses different expressive resources that mark inspired melodies, dramatic and tense moments, passing through almost ethereal sonorities, in a breathtaking musical writing.

Show original (Portuguese)

A Messa da Requiem de Giuseppe Verdi é uma das mais monumentais obras escritas dentro do género, pela sua envergadura e pela sua escrita musical, que desafiam alguns dos constrangimentos usualmente associados a esta tipologia de repertório. A ideia de compor uma Missa de Requiem surgiu de uma motivação histórica e admiração pessoal, apesar das tentativas anteriores. Após a morte do escritor Alessandro Manzoni, em 1873, figura que Verdi muito admirava pelas qualidades de novelista e humanista, e em particular pelo seu contributo literário para o movimento do Risorgimento , o compositor propôs a composição de uma Messa da Requiem , ideia bem acolhida pelo presidente da Câmara de Milão. Verdi lançou-se na composição da obra com o intuito de a estrear por ocasião do primeiro aniversário da morte de Manzoni, a 22 de maio de 1874. A estreia ocorreu nessa data, na Igreja de São Marcos, em Milão, sob a sua batuta e com um elenco de renomados cantores líricos. A linguagem operática marca a abordagem de Verdi ao género, sendo a obra apresentada posteriormente em vários teatros de ópera. Poucos dias após a estreia, foi interpretada no Teatro alla Scala de Milão. Ao longo das secções da obra, Verdi utiliza diferentes recursos expressivos que marcam as melodias inspiradas, momentos dramáticos e. tensos, passando por sonoridades quase etéreas, numa escrita musical arrebatadora.

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