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Lisbon, Sintra & Cascais
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October 2026

Tap a day, then a later one for a range.

Wed 14 Oct Wednesday 14 October

  1. Sun 11 30
  2. Mon 12 14
  3. Tue 13 11
  4. Wed 14 17
  5. Thu 15 21
  6. Fri 16 26
  7. Sat 17 51
  8. Sun 18 16
  9. Mon 19 9

Ongoing: 277 exhibitions, runs & attractions ↓

Morning 1 event
MU.SA invites you to discover the art of illustration

10:00 MU.SA - Museu das Artes de Sintra Sintra

Other

On 14 and 17 October, MU.SA — the Museum of Arts of Sintra — hosts the “Danuta Wojciechowska” illustration workshops, an invitation to discover the art of illustration.

Afternoon 1 event
Lado BB | The Truth

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB strand screens La Vérité, Hirokazu Kore-eda's drama in which Catherine Deneuve plays a film star whose fragile relationship with her daughter resurfaces; tickets are 3,20€ with discounts available.

Evening 9 events
Joshua Decter - The History of Art on Social Media

18:00 Pavilhão Julião Sarmento Lisbon

Free Exhibition

A series of three lectures by Joshua Decter, in partnership with AIR 351, proposing a revisionist history of contemporary art through its recontextualisation on social media. The event will be conducted in English.

THE HEAT OF LISBON

18:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

THE HEAT OF LISBON live in concert, with sets from Eimhéar Rebel, Shea Doolin and Jjg.

Noémia Delgado | Máscaras

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A screening of Noémia Delgado's film "Máscaras", with tickets at 3,20€ and discounts for Friends of the Cinemateca, students, over-65s and other groups.

Techno Yoga with Kate Zubok

19:00 Teja House Lisbon

DJ set

Kate Zubok — DJ, producer, free diver and yogi — leads Techno Yoga, a fusion of breathwork, conscious movement and dancing to Berlin minimal techno, every Wednesday at TEJÁ House on the Cais do Sodré riverside.

Lado BB | Et Dieu... Créa La Femme

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB programme at the Cinemateca screens Et Dieu... Créa La Femme, with general tickets at 3,20€ and discounts available.

TEMPERS

21:00 Casa Capitão Beato Lisbon

24€ 12+ Live music

Tempers, Jasmine Golestaneh's solo project, brings the songs from the new album 'Delusion' (2026) live to the Rés do Chão on 14 October. Synth-pop, techno, post-punk and shoegaze continue to define her sonic universe.

Lado BB | Viva Maria!

21:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

The Lado BB cycle dedicated to Brigitte Bardot screens Viva Maria!, Louis Malle's adventure comedy starring Bardot and Jeanne Moreau, at the Cinemateca; tickets are 3,20€ with discounts for Cinemateca friends, young people, students and seniors.

Nina Maia

22:00 Casa Capitão Beato Lisbon

11€ 12+ Live music

Nina Maia presents the songs from her acclaimed debut album 'INTEIRA' (2024) at the Sótão da Casa on 14 October, where MPB and bossa nova meet indie-pop. Tickets cost €10 + fees online and €13 at the door.

Mothership

23:59 Lisboa Rio Lisbon

10€ DJ set

Every Wednesday from midnight to 6am at Temple Club, the Visionaries x Freaky Fiction alliance boards the Mothership for galactic explorations, with an open beer bar until 01:00 and free entry on your birthday.

Exhibitions, runs & attractions 277 events

Hammok ⟡ Roy Batty

Live music 13€

Friday 4 December · 22:00

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Galeria Zé dos Bois Bairro Alto · Lisbon

Norway's Hammok bring the urgent, melody-laced hardcore of their album 'When Does This Place Become Our Scene' to ZDB, sharing the night with Roy Batty.

Full details

These days, there is an undeniable state of grace — creative, critical and media-savvy — around wide-vision hardcore punk. From the more or less mainstream collective consciousness of Turnstile or Knocked Loose, to indie darlings like Scowl or Soul Glo, to a heartfelt local communion, one feels like invoking the 'scene that celebrates itself' of shoegaze's bygone days, minus the derogatory tone of the time, for the feeling lived at concerts by Hetta or Prado, which crosses geographic and generational barriers with an effervescence not felt in a long while. A reflection of this, for the attentive eye, is that ZDB too has given space and vital time to bands born at the epicentre of or adjacent to this centrifugal movement, and it is on that wavelength that it welcomes Norway's Hammok. A trio germinated against the grain in the midst of the pandemic in the (now) bustling Oslo scene, whose recently released second album, When Does This Place Become Our Scene, on Sargent House fits perfectly into the dysfunctional family portrait of the Los Angeles label alongside The Armed or Botch. With the challenge thrown down in the album's title, furiously screamed in the piercing opening track The Scene, Hammok's music pulses with all the urgency and abandon of the most rabid hardcore while gradually revealing the melody that fixes these songs in memory. With a dirty but suitably clear production that avoids drowning in a mire of shapeless distortion, When Does This Place Become Our Scene hurls forward a dozen beasts, in a profusion of caustic riffs, rhythms that find groove as much as they drive everything forward in a single stride, electronic touches and incisive lyrics rooted in a reality that is as much the band's as it is easily recognisable almost anywhere. BS.

Show original (Portuguese)

Nos dias que correm, é inegável um estado de graça, criativo, crítico e mediático em torno do punk hardcore com vistas largas. Da consciência colectiva mais ou menos mainstream de Turnstile ou Knocked Loose, a indie darlings como Scowl ou Soul Glo até a um sentida comunhão local , dá vontade de invocar a ‘scene that celebrates itself’ dos tempos idos do shoegaze, sem o teor derrogatório da altura, para o sentimento vivido em concertos de Hetta ou Prado , que atravessa barreiras geográficas e geracionais com um efervescência que faz tempo não se sentia. Reflexo disso, de olhar atento, também a ZDB tem dado espaço e tempo vital a bandas nascidas no epicentro ou adjacentes ao movimento centrífugo e é nesse comprimento de onda que acolhe os noruegueses Hammok. Trio germinado ao arrepio em plena pandemia na (agora) agitada cena de Oslo que, com a edição recente do seu segundo álbum , When Does This Place Become Our Scene , na Sargent House assenta perfeitamente no retrato de família disfuncional da editora de Los Angeles ao lado de The Armed ou Botch. Com o repto lançado no nome do álbum, gritado furiosamente na abertura acutilante com The Scene , a música de Hammok palpita com toda a urgência e abandono do hardcore mais enraivecido ao mesmo tempo que vai descortinando a melodia que perpetua estas canções na memória. Com uma produção suja mas devidamente clara para não se afogar numa lama de distorção informe, When Does This Place Become Our Scene atira para a frente uma dúzia de feras, numa profusão de riffs cáusticos, ritmos que tanto encontram balanço como levam tudo à frente num mesmo passo, apontamentos electrónicos e letras incisivas assentes numa realidade que é tão da banda quanto facilmente reconhecível um pouco por todo o lado. BS.

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