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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Sat 7 Nov Saturday 7 November

  1. Wed 4 5
  2. Thu 5 5
  3. Fri 6 11
  4. Sat 7 21
  5. Sun 8 7
  6. Mon 9 7
  7. Tue 10 7
  8. Wed 11 7
  9. Thu 12 4

Ongoing: 268 exhibitions, runs & attractions ↓

Morning 2 events
PALÁCIO PIMENTA - MIGRATIONS - GUIDED TOUR

11:00 Museu de Lisboa - Palácio Pimenta Campo Grande Lisbon

5€ Other

Guided tour of the long-term exhibition at the Museu de Lisboa – Palácio Pimenta, exploring the migrations that shaped Lisbon over the centuries.

Afternoon 5 events
Gulbenkian Building in Dialogue with the Landscape

15:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Other

In this visit, you will explore several spaces, including areas normally closed to the public, and discover how architecture and nature are in permanent dialogue in this singular building.

Evening 8 events
Tonight We Shout - "Vitória" by Pau Miró

18:00 Casa do Comum Lisbon

5€ Party

Tonight We Shout is a cycle of performed readings of theatrical texts, promoted by Companhia Cepa Torta, celebrating its 10th anniversary. This edition presents 'Vitória' by Pau Miró, about a widow in 1950s Barcelona who discovers the need to fight.

MARCO RODRIGUES SINGS CARLOS DO CARMO | THERE IS FADO AT THE QUAY

19:00 Centro Cultural de Belém Belém Lisbon

5€ Live music

Marco Rodrigues pays tribute to Carlos do Carmo in a concert celebrating the legacy of the fado singer, featuring songs from the album 'Canta Carlos do Carmo' and other highlights from his career.

Japanese Music for Piano | António Alves da Silva

19:00 Museu do Oriente. Lisbon

15€ Live music

Launch recital for António Luís Silva's first solo album, one of the first records ever devoted entirely to Japanese piano music recorded by a Western performer, with works by Karen Tanaka, Saburo Takata, Minako Tokuyama and Hisatada Otaka at Fundação Oriente.

THE EMO FESTIVAL

19:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

The Emo Festival returns to Lisbon for a big emo tribute night with a live band, DJs, performers and confetti, as a standing event. Tickets are non-refundable unless the event is postponed or cancelled.

Carla Prata - It All Leads Back South

21:00 Casa Capitão Beato Lisbon

19,50€ 12+ Live music

Carla Prata presents her new project 'It All Leads Back South' at Casa Capitão, blending influences from the UK, Angola and Portugal.

António Raminhos - Be Right Back

21:30 Aula Magna Cidade Universitária Lisbon

18€ Theatre

António Raminhos presents 'Be Right Back', a comedy show that tackles death and finitude with his characteristic humour, turning grief into laughter.

DAPHNÉ CHENEL

21:30 Casa Capitão Beato Lisbon

12+ Live music

French singer-songwriter Daphné Chenel presents songs from her new album for the first time at Casa Capitão, featuring ethereal, cinematic sounds, with special guests and surprises.

JOSÉ PINHAL POST-MORTEM EXPERIENCE

22:00 Coliseu dos Recreios Santa Maria Maior Lisbon

18€ 6+ Live music

For the last 10 years, José Pinhal Post-Mortem Experience has kept alive the flame of the immortal singer José Pinhal, master of dance, romantic icon and major figure of northern popular culture. Born in 2016 as a spontaneous tribute, the band grew to become an improbable phenomenon, crossing generations, styles and geographies. After more than a decade taking José Pinhal's name to stages across the country, the time for farewell has now come. The last concerts of José Pinhal Post-Mortem Experience promise to be an intense celebration of life, music and the legacy of José Pinhal. Immortal, always! A big thank you.

Exhibitions, runs & attractions 268 events

Super Ballet: Geordie Greep [Sold Out]

Super Ballet: Geordie Greep [Esgotado]

Live music 23€

Sunday 15 November · 19:00

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Lisboa ao Vivo Campo Pequeno · Lisbon

A sold-out Super Ballet show by Geordie Greep, the former Black Midi vocalist, presenting his solo path between art-rock, tropicalia and jazz.

Full details

In Black Midi, Geordie Greep was part of that generation of bands that renewed British post-rock and regularly played at the Windmill in London. Think of Black Country, New Road or even caroline — not a bad scene to be in. Black Midi enjoyed a different kind of critical and public animosity from the other bands, partly thanks to the way they mixed classic elements from other rock genres and integrated them into a very post-post-whatever stance. That is, until they ended in 2024. News of their vocalist, Geordie Greep, was not long in coming. Greep quickly released a solo album. 'The New Sound' immediately staked out the territory of someone who now wants to be a kind of Arto Lindsay for a new generation. Making the most of what distinguished him in Black Midi, his voice, Geordie Greep used it to build a bridge between fans of the band and fans who might come to this life closer to art-rock that embraces various sources of inspiration, whether tropicalia or jazz. With that quick statement, he wanted to demonstrate his role in Black Midi and how a certain appetite for melodies and for the unexpected in the band came precisely from him. Did he convince us? Yes, and then some. So much so that now, two years later, we eagerly await what might come next, whether a continuation from someone who can mix instrumental chaos with a crooner attitude, captivating us not by the mix itself but by the frantic edge that arises from it, like something that dazzles and is contagious, or something even newer, like a rabbit pulled out of a hat. Why do we think this way? Because Geordie Greep has already given us reason to think it's possible. What's impossible is not expecting the unexpected from him. AS.

Show original (Portuguese)

Nos Black Midi, Geordie Greep fez parte daquela geração de bandas que renovou o pós-rock britânico e que tocaram regularmente no Windmill, em Londres. Pense-se em Black Country, New Road ou mesmo caroline, não é uma má cena para se estar. Os Black Midi gozaram de uma animosidade junto da crítica e do público diferente das restantes bandas, em parte graças à forma como misturavam elementos clássicos de outros géneros do rock e integravam numa postura bem pós-pós qualquer coisa. Isto até terminarem em 2024. Não se demorou a ter notícias do seu vocalista, Geordie Greep. Greep lançou rapidamente um álbum a solo. ‘The New Sound’ marcou logo este território de alguém que agora quer ser uma espécie de Arto Lindsay para uma nova geração. Aproveitando da melhor forma aquilo que o distinguiu nos Black Midi, a sua voz, Geordie Greep usou isso para criar uma ponte entre fãs da banda e nós fãs que poderiam vir para esta vida mais próxima do art-rock que abraça várias fontes de inspiração, seja tropicalismo ou jazz. Com essa rápida afirmação, quis demonstrar o seu papel nos Black Midi e de como uma certa apetência para melodias e para o inesperado da banda vinha precisamente de si. Convenceu-nos? Sim, e de que maneira. De tal forma que agora, passados dois anos, esperamos ansiosamente o que poderá vir a seguir, se uma continuação de alguém que consegue misturar um caos instrumental com uma atitude de crooner, cativando-nos não pela mistura em si, mas pela costela frenética que daí nasce, como uma coisa que deslumbra e contagia, ou algo ainda mais novo, qual coelho saído da cartola. Porque pensamos assim? Porque Geordie Greep já nos deu razões para pensar que é possível. Impossível é não esperar pelo inesperado vindo dele. AS.

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