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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Thu 8 Oct Thursday 8 October

  1. Mon 5 9
  2. Tue 6 13
  3. Wed 7 15
  4. Thu 8 23
  5. Fri 9 33
  6. Sat 10 83
  7. Sun 11 28
  8. Mon 12 13
  9. Tue 13 11

Ongoing: 277 exhibitions, runs & attractions ↓

No time published 1 event
Morning 1 event
Afternoon 4 events
LEARN TO MAKE DASIK

15:30 Museu do Oriente. Lisbon

45€ M/16 Other

Workshop to learn how to make Dasik, Korean miniatures to accompany tea. The session will be conducted in English.

Lado BB | La Femme Et Le Pantin

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Lado BB programme screening of 'La Femme Et Le Pantin' at the Cinemateca, with tickets at 3,20€ and discounts for Friends of Cinemateca, Youth Card holders, students, the unemployed and over-65s.

Marcel and Monsieur Pagnol | 27th French Film Festival

17:00 Cinema São Jorge Arroios Lisbon

6€ Family friendly Cinema

At the 27th French Film Festival, Sylvain Chomet's 'Marcel and Monsieur Pagnol' is a hand-drawn animated biopic in which young Marcel leads the famous writer back to his memories of Provence, his first loves and the arrival of sound cinema. Premiered at the Cannes Film Festival, it celebrates the life and imagination of one of France's great storytellers.

SOUNDPRINT STUDIO: LAUNCH PARTY

17:00 Village Underground Lisboa Alcântara Lisbon

DJ set

A launch party for Soundprint Studio with a dj set on Thursday, 8 October, from 5pm to 11pm.

Evening 13 events
Noémia Delgado | The Deceased + The Siren's Song

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A session of the Cinemateca retrospective dedicated to Noémia Delgado, screening 'The Deceased' (O Defunto) and 'The Siren's Song' (O Canto da Sereia). Tickets cost 3,20€, with discounts available.

Une vie manifeste | 27th French Film Festival

19:00 Cinema São Jorge Arroios Lisbon

6€ Cinema

At the 27th French Film Festival, Jean-Gabriel Périot's documentary 'Une vie manifeste' portrays the extraordinary destiny of Michèle Firk, a woman passionate about cinema and revolution, from the Second World War to the guerrilla struggle in Guatemala. Built from film and photographic archives and narrated by Alice Diop, it offers a fragmented, fascinating portrait of a fully emancipated life.

Ájax

19:00 8 Marvila Marvila Lisbon

Theatre

A theatre piece based on Sophocles' tragedy Ajax that reflects on the limits of power and totalitarian threats, crossing the classical text with testimonies and artistic interventions.

Art’Alegria Gala

19:30 Capitólio Arroios Lisbon

10€ Live music

Solidarity show by the MOG association to give voice to gynecological cancers, with special participations.

Lado BB | La Verité

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Lado BB series screening at the Cinemateca featuring the film La Vérité, with tickets at 3,20€ and discounts for Friends of the Cinemateca, students, over-65s and other audiences.

MIKE STERN BAND

20:00 Centro Cultural de Belém Belém Lisbon

20€ Live music

Concert by Mike Stern, one of the great jazz guitarists, accompanied by a luxury band.

Beware Jack invites New Max X Da Chick

21:00 Coliseu dos Recreios Santa Maria Maior Lisbon

15€ 6+ Family friendly Live music

Concert closing the 2026 Live Sessions cycle at Coliseu Club, with performances by puto bacoco and Beware Jack, and special appearances by New Max and Da Chick.

Superstar

21:00 Teatro Armando Cortez Tires Cascais

M/12 Theatre

Theatre play 'Superstar'.

LA TROISIÈME NUIT | 27th French Film Festival

21:30 Cinema São Jorge Arroios Lisbon

6€ Cinema

Daniel Auteuil directs and stars in La Troisième Nuit, a drama of resistance set in August 1942 during the Occupation, presented in the Cannes Première section and screened at the 27th French Film Festival.

Paulo Branco | Bazar

21:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

'Bazar' is the film on show in the Paulo Branco retrospective at the Cinemateca. Tickets are €3.20, with discounts for young people, students, over-65s and retirees.

PARADISE | 27th French Film Festival

21:45 Cinema São Jorge Arroios Lisbon

6€ Cinema

Premiered at the Berlinale, Jérémy Comte's debut film, made over ten years, follows two teenagers between Accra and Quebec searching for a father figure, in a screening of the 27th French Film Festival.

Contratempos Clubbing

23:00 Lux Frágil Santa Apolónia Lisbon

DJ set

A Contratempos clubbing night featuring a DJ set from Delikwe.

Disco not Disco

23:00 5A Lisbon

18+ DJ set

A DJ session with Señor Pelota and Mirror People at the Disco not Disco party.

Exhibitions, runs & attractions 277 events

Un ballo in maschera

Live music 45€

Wednesday 28 April · 20:00

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Centro Cultural de Belém Belém · Lisbon

Verdi's opera about a king in love with his best friend's wife, a political conspiracy and a masked ball where all the threads of the plot converge; this new São Carlos production adds another chapter to Lisbon's long relationship with the work.

Full details

A king in love with his best friend's wife; a conspirator who discovers the betrayal too late to act honourably; a fortune-teller whose prophecy no one wants to believe; and a masked ball where all the threads of the plot converge. Premiered at the Teatro Apollo in Rome on 17 February 1859, Un ballo in maschera is one of Verdi's most singular works. The story of its creation is as dramatic as the plot itself: commissioned by the Teatro di San Carlo in Naples, it was blocked by the censors in the aftermath of the assassination attempt on Napoleon III of France. Verdi refused the censors' corrections and eventually broke his contract with the Neapolitan institution. When it finally reached the stage, with the original Swedish setting transformed under Roman censorship into colonial Boston, the opera had survived a lawsuit and two years of obstacles. The libretto by Antonio Somma, inspired by Eugène Scribe, is based on a historical event: the murder of King Gustav III of Sweden at a masked ball in 1792. In Verdi's hands, a political conspiracy and a secret love become inextricable, as the friendship between the King and Renato, his adviser, collapses under the weight of a passion neither can control. The score moves between tragedy and lightness with remarkable ease, especially in the pages entrusted to Oscar, the King's page, whose music radiates the distinctly French lightness that Verdi absorbed from his experience on Parisian stages. Lisbon holds a special place in the history of this opera: on 15 April 1860, just over a year after the Rome premiere, the then Royal Theatre of São Carlos was the first opera house to stage Un ballo in maschera outside Italy, with Gaetano Fraschini, the tenor who had created the title role, repeating it in the Portuguese capital. Since then, the opera has returned to São Carlos several times. This new production adds another chapter to that long relationship.

Show original (Portuguese)

Um rei apaixonado pela mulher do seu melhor amigo; um conspirador que descobre a traição demasiado tarde para agir honradamente; uma vidente em cuja profecia ninguém quer acreditar; e um baile de máscaras onde convergem todos os fios da trama. Estreado no Teatro Apollo de Roma em 17 de fevereiro de 1859, Un ballo in maschera é uma das obras mais singulares de Verdi. A história da sua criação é tão dramática quanto o próprio enredo: encomendada pelo Teatro di San Carlo de Nápoles, acabou barrada pelo crivo da censura no rescaldo da tentativa de assassinato de Napoleão III de França. Verdi recusou as correções dos censores, acabando por romper o contrato com a instituição napolitana. Quando, finalmente, chegou ao palco , com o cenário original sueco transformado, sob censura romana, na Boston colonial , , a ópera sobrevivera a um processo judicial e a dois anos de obstáculos. O libreto de Antonio Somma, inspirado em Eugène Scribe, baseia-se num acontecimento histórico: o assassínio do rei Gustavo III da Suécia, num baile de máscaras, em 1792. Nas mãos de Verdi, uma conspiração política e um amor secreto tornam-se inextricáveis, quando a amizade entre o Rei e Renato, seu conselheiro, se desmorona sob o peso de uma paixão que nenhum dos dois consegue controlar. A partitura move-se entre a tragédia e a leveza com notável facilidade, sobretudo nas páginas confiadas a Oscar, o pajem do Rei, cuja música irradia a ligeireza distintivamente francesa que Verdi incorporou da sua experiência nos palcos parisienses. Lisboa ocupa um lugar especial na história desta ópera: a 15 de abril de 1860, pouco mais de um ano após a estreia em Roma, o então Real Teatro de São Carlos foi a primeira casa de ópera a levar Un ballo in maschera à cena fora de Itália, com Gaetano. Fraschini, o tenor que havia criado o papel do protagonista, a repeti-lo na capital portuguesa. De então para cá, a ópera regressou várias vezes ao São Carlos. Esta nova produção acrescenta outro capítulo a essa longa relação.

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