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Lisbon, Sintra & Cascais
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September 2026

Tap a day, then a later one for a range.

Wed 7 Oct Wednesday 7 October

  1. Sun 4 36
  2. Mon 5 9
  3. Tue 6 13
  4. Wed 7 15
  5. Thu 8 23
  6. Fri 9 33
  7. Sat 10 83
  8. Sun 11 28
  9. Mon 12 13

Ongoing: 274 exhibitions, runs & attractions ↓

Afternoon 3 events
Lado BB | Viva Maria!

15:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Cinemateca screening of 'Viva Maria!' as part of the 'Lado BB' series, with tickets at 3,20€ and discounts for Friends of the Cinemateca, youth card holders, the unemployed, students, over-65s and retirees.

What Is Love? | 27th French Film Festival

17:00 Cinema São Jorge Arroios Lisbon

6€ Cinema

Fabien Gorgeart's romantic comedy 'What Is Love?' stars Laure Calamy and Vincent Macaigne as a divorced couple whose church annulment process forces them to revisit their shared past — and reawakens feelings they thought long gone. Screened at the 27th French Film Festival, tickets 6€.

Evening 10 events
Techno Yoga with Kate Zubok

18:30 Teja House Lisbon

DJ set

A fusion of breathwork, yoga, conscious movement and dancing to Berlin minimal techno, guided by DJ and producer Kate Zubok every Wednesday at TEJÁ House on the riverside in Cais do Sodré — no experience needed.

LISBON | ANA GARCIA MARTINS: INSUFFICIENT

19:00 Aula Magna Cidade Universitária Lisbon

20€ Theatre

Stand-up comedy show by Ana Garcia Martins, where she explores the feeling of inadequacy and self-criticism that has followed her since childhood.

Noémia Delgado | The Viscount + Tiaga or the Delicious Reincarnation

19:00 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A session of the Cinemateca retrospective dedicated to Noémia Delgado, screening 'The Viscount' (O Visconde) and 'Tiaga or the Delicious Reincarnation' (Tiaga ou a Reecarnação Deliciosa). Tickets cost 3,20€, with discounts available.

Farewell, Cruel World | 27th French Film Festival

19:30 Cinema São Jorge Arroios Lisbon

6€ Cinema

Félix de Givry's 'Farewell, Cruel World', the closing film of Cannes Critics' Week, transforms a 14-year-old's bullying and a suicide attempt into a surreal, tender tale echoing the Nouvelle Vague. Screened at the 27th French Film Festival, tickets 6€.

Lado BB | Spécial Bardot

19:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Lado BB screening dedicated to Brigitte Bardot, with general admission at €3.20 and discounts for Friends of the Cinemateca, Youth Card holders, the unemployed, students, film students, juniors (up to 16) and over-65s.

Iberian Bridge | Bridges not Walls

20:00 São Luiz Teatro Municipal Lisbon

6€ Live music

A concert celebrating the connection between cultures, presented as part of Iberian Bridge.

De Gaulle: Freedom | 27th French Film Festival

21:30 Cinema São Jorge Arroios Lisbon

6€ Cinema

As part of the 27th French Film Festival, Antonin Baudry's 'De Gaulle: Freedom' follows the general's path towards leading Free France, between political struggle, the Resistance and the Liberation of Paris. The 157-minute historical epic, starring Simon Abkarian and Simon Russell Beale, closes the diptych begun with 'De Gaulle: Resistance' and stands as one of the great French cinema successes of 2026.

Lado BB | A Simple Favor

21:30 Cinemateca Portuguesa Santo António Lisbon

3,2€ Cinema

A Lado BB programme screening of 'A Simple Favor' at the Cinemateca, with tickets at 3,20€ and discounts for Friends of Cinemateca, Youth Card holders, students, the unemployed and over-65s.

Du fioul dans les artères | 27th French Film Festival

21:45 Cinema São Jorge Arroios Lisbon

6€ Cinema

At the 27th French Film Festival, Pierre Le Gall's 'Du fioul dans les artères' follows Étienne, a truck driver who lives on the road, until chance leads him to Bartosz, a Polish lorry driver with whom he falls in love. The film blends social realism and queer intimacy, turning the harsh, lonely world of truckers into a delicate love story.

Mothership

23:59 Lisboa Rio Lisbon

10€ DJ set

Every Wednesday, the alliance between Visionaries and Freaky Fiction invites you aboard the Mothership at Lisboa Rio, from midnight to 7am, for galactic explorations with ritualistic aesthetics. There's an open beer bar until 1am, and after that each ticket includes a complimentary drink.

Exhibitions, runs & attractions 274 events

Un ballo in maschera

Live music 45€

Wednesday 28 April · 20:00

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Centro Cultural de Belém Belém · Lisbon

Verdi's opera about a king in love with his best friend's wife, a political conspiracy and a masked ball where all the threads of the plot converge; this new São Carlos production adds another chapter to Lisbon's long relationship with the work.

Full details

A king in love with his best friend's wife; a conspirator who discovers the betrayal too late to act honourably; a fortune-teller whose prophecy no one wants to believe; and a masked ball where all the threads of the plot converge. Premiered at the Teatro Apollo in Rome on 17 February 1859, Un ballo in maschera is one of Verdi's most singular works. The story of its creation is as dramatic as the plot itself: commissioned by the Teatro di San Carlo in Naples, it was blocked by the censors in the aftermath of the assassination attempt on Napoleon III of France. Verdi refused the censors' corrections and eventually broke his contract with the Neapolitan institution. When it finally reached the stage, with the original Swedish setting transformed under Roman censorship into colonial Boston, the opera had survived a lawsuit and two years of obstacles. The libretto by Antonio Somma, inspired by Eugène Scribe, is based on a historical event: the murder of King Gustav III of Sweden at a masked ball in 1792. In Verdi's hands, a political conspiracy and a secret love become inextricable, as the friendship between the King and Renato, his adviser, collapses under the weight of a passion neither can control. The score moves between tragedy and lightness with remarkable ease, especially in the pages entrusted to Oscar, the King's page, whose music radiates the distinctly French lightness that Verdi absorbed from his experience on Parisian stages. Lisbon holds a special place in the history of this opera: on 15 April 1860, just over a year after the Rome premiere, the then Royal Theatre of São Carlos was the first opera house to stage Un ballo in maschera outside Italy, with Gaetano Fraschini, the tenor who had created the title role, repeating it in the Portuguese capital. Since then, the opera has returned to São Carlos several times. This new production adds another chapter to that long relationship.

Show original (Portuguese)

Um rei apaixonado pela mulher do seu melhor amigo; um conspirador que descobre a traição demasiado tarde para agir honradamente; uma vidente em cuja profecia ninguém quer acreditar; e um baile de máscaras onde convergem todos os fios da trama. Estreado no Teatro Apollo de Roma em 17 de fevereiro de 1859, Un ballo in maschera é uma das obras mais singulares de Verdi. A história da sua criação é tão dramática quanto o próprio enredo: encomendada pelo Teatro di San Carlo de Nápoles, acabou barrada pelo crivo da censura no rescaldo da tentativa de assassinato de Napoleão III de França. Verdi recusou as correções dos censores, acabando por romper o contrato com a instituição napolitana. Quando, finalmente, chegou ao palco , com o cenário original sueco transformado, sob censura romana, na Boston colonial , , a ópera sobrevivera a um processo judicial e a dois anos de obstáculos. O libreto de Antonio Somma, inspirado em Eugène Scribe, baseia-se num acontecimento histórico: o assassínio do rei Gustavo III da Suécia, num baile de máscaras, em 1792. Nas mãos de Verdi, uma conspiração política e um amor secreto tornam-se inextricáveis, quando a amizade entre o Rei e Renato, seu conselheiro, se desmorona sob o peso de uma paixão que nenhum dos dois consegue controlar. A partitura move-se entre a tragédia e a leveza com notável facilidade, sobretudo nas páginas confiadas a Oscar, o pajem do Rei, cuja música irradia a ligeireza distintivamente francesa que Verdi incorporou da sua experiência nos palcos parisienses. Lisboa ocupa um lugar especial na história desta ópera: a 15 de abril de 1860, pouco mais de um ano após a estreia em Roma, o então Real Teatro de São Carlos foi a primeira casa de ópera a levar Un ballo in maschera à cena fora de Itália, com Gaetano. Fraschini, o tenor que havia criado o papel do protagonista, a repeti-lo na capital portuguesa. De então para cá, a ópera regressou várias vezes ao São Carlos. Esta nova produção acrescenta outro capítulo a essa longa relação.

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