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Find your next plan.

Lisbon, Sintra & Cascais

What kind of events?

Pick as many as you like. “Family” is events made for kids; the “Family friendly” switch also keeps events from any category that suit kids.

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September 2026

Tap a day, then a later one for a range.

Sat 7 Nov Saturday 7 November

  1. Wed 4 5
  2. Thu 5 5
  3. Fri 6 11
  4. Sat 7 20
  5. Sun 8 7
  6. Mon 9 9
  7. Tue 10 7
  8. Wed 11 7
  9. Thu 12 4
Morning 2 events
PALÁCIO PIMENTA - MIGRATIONS - GUIDED TOUR

11:00 Museu de Lisboa - Palácio Pimenta Campo Grande Lisbon

5€ Other

Guided tour of the long-term exhibition at the Museu de Lisboa – Palácio Pimenta, exploring the migrations that shaped Lisbon over the centuries.

Afternoon 5 events
Gulbenkian Building in Dialogue with the Landscape

15:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Other

In this visit, you will explore several spaces, including areas normally closed to the public, and discover how architecture and nature are in permanent dialogue in this singular building.

Evening 7 events
Tonight We Shout - "Vitória" by Pau Miró

18:00 Casa do Comum Lisbon

5€ Party

Tonight We Shout is a cycle of performed readings of theatrical texts, promoted by Companhia Cepa Torta, celebrating its 10th anniversary. This edition presents 'Vitória' by Pau Miró, about a widow in 1950s Barcelona who discovers the need to fight.

MARCO RODRIGUES SINGS CARLOS DO CARMO | THERE IS FADO AT THE QUAY

19:00 Centro Cultural de Belém Belém Lisbon

5€ Live music

Marco Rodrigues pays tribute to Carlos do Carmo in a concert celebrating the legacy of the fado singer, featuring songs from the album 'Canta Carlos do Carmo' and other highlights from his career.

THE EMO FESTIVAL

19:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

The Emo Festival returns to Lisbon for a big emo tribute night with a live band, DJs, performers and confetti, as a standing event. Tickets are non-refundable unless the event is postponed or cancelled.

Carla Prata - It All Leads Back South

21:00 Casa Capitão Beato Lisbon

19,50€ 12+ Live music

Carla Prata presents her new project 'It All Leads Back South' at Casa Capitão, blending influences from the UK, Angola and Portugal.

António Raminhos - Be Right Back

21:30 Aula Magna Cidade Universitária Lisbon

18€ Theatre

António Raminhos presents 'Be Right Back', a comedy show that tackles death and finitude with his characteristic humour, turning grief into laughter.

DAPHNÉ CHENEL

21:30 Casa Capitão Beato Lisbon

12+ Live music

French singer-songwriter Daphné Chenel presents songs from her new album for the first time at Casa Capitão, featuring ethereal, cinematic sounds, with special guests and surprises.

JOSÉ PINHAL POST-MORTEM EXPERIENCE

22:00 Coliseu dos Recreios Santa Maria Maior Lisbon

18€ 6+ Live music

For the last 10 years, José Pinhal Post-Mortem Experience has kept alive the flame of the immortal singer José Pinhal, master of dance, romantic icon and major figure of northern popular culture. Born in 2016 as a spontaneous tribute, the band grew to become an improbable phenomenon, crossing generations, styles and geographies. After more than a decade taking José Pinhal's name to stages across the country, the time for farewell has now come. The last concerts of José Pinhal Post-Mortem Experience promise to be an intense celebration of life, music and the legacy of José Pinhal. Immortal, always! A big thank you.

Exhibitions, runs & attractions 268 events

Encounters at the Academy

Encontros na Academia

Live music

Tuesday 13 April · 19:00

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Teatro Nacional de São Carlos Chiado · Lisbon

A chamber programme devoted to the lower strings — viola, cello and double bass — bringing together Bach's Ciaccona in Ichiro Nodaira's transcription, Albrechtsberger's Divertimento, the young Mendelssohn's Adagio from Symphony No. 8, and the Brandenburg Concerto No. 6, the only one of the six without violins.

Full details

When the violins fall silent, the lower strings take the floor: this is the thread running through the programme, bringing together works from three centuries centred on the viola, the cello and the double bass. The Ciaccona from Partita No. 2, BWV 1004, written by Bach in 1720 for solo violin and presented here in Ichiro Nodaira's transcription, shifts the original from D minor to G minor, transferring to the viola a cycle of variations over an ostinato bass that ranks among the densest contrapuntal constructions of the Baroque period. Next comes the Divertimento in D major by Johann Georg Albrechtsberger, a counterpoint theorist of the late eighteenth century and later Beethoven's teacher, written for two violas and double bass — an unusual scoring that lifts the viola out of its subordinate role of harmonic filling and gives it melodic prominence. From the young Mendelssohn, the Adagio from Symphony No. 8, composed at the age of thirteen under the guidance of Carl Friedrich Zelter, who introduced him to the Baroque legacy: the piece, written for divided strings, dwells in the low register in a sombre texture that gradually becomes singable. Closing the programme is the Brandenburg Concerto No. 6, the only one of the six concertos without violins, in which the two concertante violas stand out as the protagonists, with the basso continuo providing the harmonic foundation. Four works, one single way of listening: those who usually accompany now take the reins of interpretation.

Show original (Portuguese)

Quando os violinos se silenciam, as cordas graves assumem a palavra: é este o fio que atravessa o programa, reunindo obras de três séculos em torno da viola, do violoncelo e do contrabaixo. A Ciaccona da Partita n.º 2 , BWV 1004, escrita por Bach em 1720 para violino solo e aqui apresentada na transcrição de Ichiro Nodaira, desloca o original de Ré menor para Sol menor, transferindo para a viola um ciclo de variações sobre baixo ostinato que figura entre as construções contrapontísticas mais densas do período barroco. Segue-se o Divertimento em ré maior de Johann Georg Albrechtsberger, teórico do contraponto no final do século XVIII, mais tarde professor de Beethoven, escrito para duas violas e contrabaixo, uma formação invulgar que retira a viola do papel subalterno de preenchimento harmónico e lhe confia o protagonismo melódico. Do jovem Mendelssohn, o Adagio da Sinfonia n.º 8 , composta aos treze anos sob a orientação de Carl Friedrich Zelter, que o iniciou no legado barroco: a página, escrita para cordas divididas, habita o registo grave num tecido sombrio que se vai tornando cantável. Fecha o programa o Concerto de Brandemburgo n.º 6 , único dos seis concertos sem violinos, em que as duas violas concertantes se. destacam como protagonistas, com o baixo contínuo a assegurar o fundamento harmónico. Quatro obras, uma mesma escuta: quem normalmente acompanha toma agora as rédeas da interpretação.

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