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Lisbon, Sintra & Cascais

What kind of events?

Pick as many as you like. “Family” is events made for kids; the “Family friendly” switch also keeps events from any category that suit kids.

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September 2026

Tap a day, then a later one for a range.

Thu 15 Oct Thursday 15 October

  1. Mon 12 10
  2. Tue 13 7
  3. Wed 14 12
  4. Thu 15 17
  5. Fri 16 19
  6. Sat 17 45
  7. Sun 18 14
  8. Mon 19 4
  9. Tue 20 7
Morning 2 events
Youth Talks Cascais: Self-care Yes!

08:30 Escola de Hotelaria e Turismo do Estoril (ESHTE) Cascais e Estoril Cascais

Workshops & talks

The Youth Talks Cascais: Self-care Yes! seminar takes place on October ️15, ️2026, featuring conversations and debates on mental health, nutrition, love and sexuality, plus a cooking workshop and a Heartfulness session to promote young people's well-being.

Afternoon 3 events
PARTY PEOPLE: SUMMER 2026

17:00 Village Underground Lisboa Alcântara Lisbon

Free 18+ DJ set

A DJ set party happening on Thursday, October 15, from 5 PM to 11 PM.

Evening 8 events
Collectors with Caroline Letho, Mafalda Mais, Enko

19:00 Collect LX Factory Lisbon

18+ DJ set

Collectors is Collect's in-house party, turning the LX Factory shop into a meeting point for records, artists and audiences, with a line-up of Caroline Lethô, Enkō and Mafalda Mais. No theme, no boundaries — just good music played properly on the store's newly installed sound system.

Joyce Muniz debuts a new live performance format in a special recording session by NeverStop and Sexto Station in Bairro Alto on October 15, with live visuals by PFA Studios (Berlin). Alongside her live set there will be music from Oito//Oito, Perolidade, Freiii, Vitorine and more; the address and door code are yet to be announced.

JAH KHALIB

20:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

Jah Khalib, the popular Kazakh singer-songwriter, brings his greatest hits, from 'Medina' to 'Leyla', live in a concert blending hip-hop, soul, R&B and Oriental motifs. A night of intense emotions and Oriental magic.

Alex Zhang Hungtai ⟡ Belaflor

21:00 Galeria Zé dos Bois Bairro Alto Lisbon

14€ Live music

Alex Zhang Hungtai returns to Belaflor to present two albums released this year: “Dras”, built from saxophone recordings in a Montreal basilica, and the collaborative double album “Orion/Mother”. A concert spanning solo revelation and creative communion.

MATEUS ASATO

21:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

Mateus Asato performs a special concert in Lisbon on October 15, 2026, as part of his world tour.

PMDS

21:00 BOTA Lisbon

8€ Live music

PMDS concert, entry 8€.

SUPERSTAR

21:00 Teatro Armando Cortez Tires Cascais

M/12 Theatre

SUPERSTAR is a theatre production taking to the stage.

Riktus Invites BALAGAN

23:59 Ministerium Club Lisbon

18+ DJ set

On October 15, RIKTUS invites BALAGAN for a special night at Ministerium Club in Lisbon, bringing two sides of the city's underground together on one dancefloor. Six artists — ANÍBAL, Djooke, GADDAM, Madson Carpenter, pavvvvvvlo and Saint Caboclo — for a new collaboration with no boundaries.

On this day, no time published 3 events
SIMPLESMENTE ROUPA NOVA

Sagres Campo Pequeno Avenidas Novas Lisbon

M/6 Live music

Concert by the band Simplesmente Roupa Nova.

Exhibitions, runs & attractions 276 events

Encounters at the Academy

Encontros na Academia

Live music

Tuesday 13 April · 19:00

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Teatro Nacional de São Carlos Chiado · Lisbon

A chamber programme devoted to the lower strings — viola, cello and double bass — bringing together Bach's Ciaccona in Ichiro Nodaira's transcription, Albrechtsberger's Divertimento, the young Mendelssohn's Adagio from Symphony No. 8, and the Brandenburg Concerto No. 6, the only one of the six without violins.

Full details

When the violins fall silent, the lower strings take the floor: this is the thread running through the programme, bringing together works from three centuries centred on the viola, the cello and the double bass. The Ciaccona from Partita No. 2, BWV 1004, written by Bach in 1720 for solo violin and presented here in Ichiro Nodaira's transcription, shifts the original from D minor to G minor, transferring to the viola a cycle of variations over an ostinato bass that ranks among the densest contrapuntal constructions of the Baroque period. Next comes the Divertimento in D major by Johann Georg Albrechtsberger, a counterpoint theorist of the late eighteenth century and later Beethoven's teacher, written for two violas and double bass — an unusual scoring that lifts the viola out of its subordinate role of harmonic filling and gives it melodic prominence. From the young Mendelssohn, the Adagio from Symphony No. 8, composed at the age of thirteen under the guidance of Carl Friedrich Zelter, who introduced him to the Baroque legacy: the piece, written for divided strings, dwells in the low register in a sombre texture that gradually becomes singable. Closing the programme is the Brandenburg Concerto No. 6, the only one of the six concertos without violins, in which the two concertante violas stand out as the protagonists, with the basso continuo providing the harmonic foundation. Four works, one single way of listening: those who usually accompany now take the reins of interpretation.

Show original (Portuguese)

Quando os violinos se silenciam, as cordas graves assumem a palavra: é este o fio que atravessa o programa, reunindo obras de três séculos em torno da viola, do violoncelo e do contrabaixo. A Ciaccona da Partita n.º 2 , BWV 1004, escrita por Bach em 1720 para violino solo e aqui apresentada na transcrição de Ichiro Nodaira, desloca o original de Ré menor para Sol menor, transferindo para a viola um ciclo de variações sobre baixo ostinato que figura entre as construções contrapontísticas mais densas do período barroco. Segue-se o Divertimento em ré maior de Johann Georg Albrechtsberger, teórico do contraponto no final do século XVIII, mais tarde professor de Beethoven, escrito para duas violas e contrabaixo, uma formação invulgar que retira a viola do papel subalterno de preenchimento harmónico e lhe confia o protagonismo melódico. Do jovem Mendelssohn, o Adagio da Sinfonia n.º 8 , composta aos treze anos sob a orientação de Carl Friedrich Zelter, que o iniciou no legado barroco: a página, escrita para cordas divididas, habita o registo grave num tecido sombrio que se vai tornando cantável. Fecha o programa o Concerto de Brandemburgo n.º 6 , único dos seis concertos sem violinos, em que as duas violas concertantes se. destacam como protagonistas, com o baixo contínuo a assegurar o fundamento harmónico. Quatro obras, uma mesma escuta: quem normalmente acompanha toma agora as rédeas da interpretação.

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