Synopsis We often talk about music without paying attention to the fact that it is produced by bodies (at least a large part of it, still…) and is destined for other bodies. Thinking about the bodies involved in music immediately brings us to its communal dimension, but also its biopolitical one. How has music been used to subject bodies throughout History? How can it be a way of recovering freedom, a freedom that is common to them? Might it have a broader, ecological dimension? The starting premise is that the human body has in common with music the fact of being a physical phenomenon, and is therefore affectable and vibratile. From this premise, the ways in which music and body connect will be examined: how the creating/interpreting body provokes metamorphoses in the matter that has been called music; how music operates metamorphoses on the affectable body. The metamorphoses of this affectable body - emotional, cognitive, motivational, existential, political, spiritual, etc. - will be listed and related to one another, while illustrated with allusions to examples from the History of Music (classical and popular) or from recordings of other examples heard on site. Relations between music, dance and theatre will also be established in passing, with the presence of the body as the focal and unavoidable point. Prices General - €3