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Lisbon, Sintra & Cascais

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September 2026

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Mon 9 Nov Monday 9 November

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COCK

21:00 Teatro Maria Matos Alvalade Lisbon

M/16 Theatre

A provocative theatre play that explores relationships and identity through sharp dialogue.

Mondo Negro x ZDB: Powerplant

21:00 Galeria Zé dos Bois Bairro Alto Lisbon

14€ Live music

ZDB and Mondo Negro present Powerplant, the London band that turns black metal tropes, garage punk, gothic post-punk and dungeon synth into memorably catchy songs.

RODRIGO CUEVAS - LA BELLEZA | MISTY FEST

21:00 Capitólio Arroios Lisbon

25€ Live music

Rodrigo Cuevas brings his latest show, La Belleza, to Misty Fest, a contemporary creation that reinvents folklore through music and performance, based on the album Manual de Belleza.

Exhibitions, runs & attractions 273 events

The Blue Mountains Are Always Walking

As montanhas azuis estão sempre a caminhar

Other 10€

Saturday 26 September · 19:30

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A performance inspired by Nan Shepherd's 'The Living Mountain', exploring the hidden elements of the mountain and our imaginative relationship with the wild, where the mountain is not a summit to be climbed but a place to enter. This show opens a rift and things happen.

Full details

In the middle of World War II, Nan Shepherd writes The Living Mountain, describing her travels through the Cairngorms in a meditation on the consolation and strength of untamed regions, focusing on the hidden elements of the mountain and our imaginative relationship with the wild world. In 1940, the manuscript's publication is refused and it would remain kept in a drawer for more than three decades. This show starts from that Living Mountain and from Shepherd's idea that the mountain is not a summit to be climbed, but a place to enter. A rift that opens. Things happen, some, in this show. Teaser of the performance.

Show original (Portuguese)

Em plena Segunda Guerra Mundial, Nan Shepherd escreve A Montanha Viva , descrevendo as suas viagens pelas Cairngorms numa meditação sobre o consolo e a força das regiões indomadas, focando-se nos elementos ocultos da montanha e na nossa relação imaginativa com o mundo selvagem. Em 1940, a publicação do manuscrito é recusada e ficaria guardado numa gaveta durante mais de três décadas. Este espetáculo parte dessa Montanha Viva e da ideia de Shepherd de que a montanha não é um topo que se deve subir, mas um lugar onde se entra. Uma fenda que se abre. Coisas acontecem, algumas, neste espectáculo. Teaser da performance.

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