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Lisbon, Sintra & Cascais
Lisbon, Sintra & Cascais LisbonSintraCascais
What are you in the mood for? All moods · choose to filter
Take it easy Arts & culture Live music Party & dance Get moving Learn & create Get outside Food & drink With kids

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Live music DJ set Party Theatre Dance Cinema Exhibition Comedy Family Literature Workshops & talks Sport Other

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September 2026

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Sun 8 Nov Sunday 8 November

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Morning 4 events
Building Nest Boxes for Tits

10:30 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Other

In this workshop, participants will learn more about tits and build wooden nest boxes for them to use in the next breeding season.

Saint Anthony - There's a Party in Lisbon - Workshop for Families

10:30 Museu de Lisboa - Santo António Santa Maria Maior Lisbon

5€ Family friendly Family

In Lisbon, June is synonymous with party, color and tradition, it is the month when we celebrate Saint Anthony. But do we really have to wait for summer to celebrate? In this workshop, after diving into popular traditions and the stories that make Saint Anthony one of the city's most beloved saints, each participant is invited to create their own festive symbol: a decorated arch, a throne, a basil plant or even a well-rhymed verse! Because in Lisbon... there's a party all year round! Just use your imagination!

ACTIVITY: THE MUSEUM HOPPING | 4 - 6 years

11:00 Centro Cultural de Belém Belém Lisbon

3€ Family friendly Exhibition

A visit for children aged 4 to 6 that explores movement in artworks, discovering artists who use the body to create.

Between Samurai and Violins | Lisbon Music Academy | Commented Concerts

11:00 Centro Cultural de Belém Belém Lisbon

17,5€ Live music

Commented concert by Susana Henriques. Lisbon Music Academy. Between Samurai and Violins proposes a musical journey inspired by the life and thought of Shinichi Suzuki, a major figure in 20th-century music pedagogy. Born into a lineage of samurai and a member of the family that owned the world's largest instrument factory, his path was marked by a late discovery of the violin, by his time in Berlin, by his friendship with Einstein and by the formulation of the 'mother tongue' principle. This concert celebrates a legacy that combines discipline, listening and affection, revealing music as a language of formation, sharing and growth. Between tradition and innovation, this concert promotes an immersive experience, capable of transforming performers and audiences on both sides of the stage.

Afternoon 1 event
The Wizard of Oz | A Pop Musical

15:00 Casino Estoril Estoril Cascais

M/6 Family friendly Live music

A lively pop musical adaptation of the classic tale The Wizard of Oz.

Evening 2 events
The Barber of Seville | Opera by Gioachino Rossini

18:00 Coliseu dos Recreios Santa Maria Maior Lisbon

40€ 6+ Family friendly Live music

Rossini's comic opera returns to the Coliseu dos Recreios in Lisbon on 8 November, with Figaro helping Count Almaviva win Rosina's heart through disguises and hilarious situations.

Virgem Suta | Living Room

21:30 Coliseu dos Recreios Santa Maria Maior Lisbon

20€ 6+ Family friendly Live music

Virgem Suta present their new album 'Sala de Estar' in an acoustic format, revisiting songs such as 'Linhas Cruzadas' and 'Dança de Balcão', on 8 November at Coliseu Club in Lisbon.

Exhibitions, runs & attractions 266 events

Encounters at the Academy

Encontros na Academia

Live music

Tuesday 13 April · 19:00

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Teatro Nacional de São Carlos Chiado · Lisbon
All events at this venue 2 Directions

A chamber programme devoted to the lower strings — viola, cello and double bass — bringing together Bach's Ciaccona in Ichiro Nodaira's transcription, Albrechtsberger's Divertimento, the young Mendelssohn's Adagio from Symphony No. 8, and the Brandenburg Concerto No. 6, the only one of the six without violins.

Full details

When the violins fall silent, the lower strings take the floor: this is the thread running through the programme, bringing together works from three centuries centred on the viola, the cello and the double bass. The Ciaccona from Partita No. 2, BWV 1004, written by Bach in 1720 for solo violin and presented here in Ichiro Nodaira's transcription, shifts the original from D minor to G minor, transferring to the viola a cycle of variations over an ostinato bass that ranks among the densest contrapuntal constructions of the Baroque period. Next comes the Divertimento in D major by Johann Georg Albrechtsberger, a counterpoint theorist of the late eighteenth century and later Beethoven's teacher, written for two violas and double bass — an unusual scoring that lifts the viola out of its subordinate role of harmonic filling and gives it melodic prominence. From the young Mendelssohn, the Adagio from Symphony No. 8, composed at the age of thirteen under the guidance of Carl Friedrich Zelter, who introduced him to the Baroque legacy: the piece, written for divided strings, dwells in the low register in a sombre texture that gradually becomes singable. Closing the programme is the Brandenburg Concerto No. 6, the only one of the six concertos without violins, in which the two concertante violas stand out as the protagonists, with the basso continuo providing the harmonic foundation. Four works, one single way of listening: those who usually accompany now take the reins of interpretation.

Show original (Portuguese)

Quando os violinos se silenciam, as cordas graves assumem a palavra: é este o fio que atravessa o programa, reunindo obras de três séculos em torno da viola, do violoncelo e do contrabaixo. A Ciaccona da Partita n.º 2 , BWV 1004, escrita por Bach em 1720 para violino solo e aqui apresentada na transcrição de Ichiro Nodaira, desloca o original de Ré menor para Sol menor, transferindo para a viola um ciclo de variações sobre baixo ostinato que figura entre as construções contrapontísticas mais densas do período barroco. Segue-se o Divertimento em ré maior de Johann Georg Albrechtsberger, teórico do contraponto no final do século XVIII, mais tarde professor de Beethoven, escrito para duas violas e contrabaixo, uma formação invulgar que retira a viola do papel subalterno de preenchimento harmónico e lhe confia o protagonismo melódico. Do jovem Mendelssohn, o Adagio da Sinfonia n.º 8 , composta aos treze anos sob a orientação de Carl Friedrich Zelter, que o iniciou no legado barroco: a página, escrita para cordas divididas, habita o registo grave num tecido sombrio que se vai tornando cantável. Fecha o programa o Concerto de Brandemburgo n.º 6 , único dos seis concertos sem violinos, em que as duas violas concertantes se. destacam como protagonistas, com o baixo contínuo a assegurar o fundamento harmónico. Quatro obras, uma mesma escuta: quem normalmente acompanha toma agora as rédeas da interpretação.

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