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Lisbon, Sintra & Cascais

What kind of events?

Pick as many as you like. “Family” is events made for kids; the “Family friendly” switch also keeps events from any category that suit kids.

Choose dates

September 2026

Tap a day, then a later one for a range.

Sun 11 Oct Sunday 11 October

  1. Thu 8 13
  2. Fri 9 22
  3. Sat 10 69
  4. Sun 11 19
  5. Mon 12 10
  6. Tue 13 7
  7. Wed 14 12
  8. Thu 15 17
  9. Fri 16 19
Morning 6 events
Kintsugi Masterclass

09:30 Albuquerque Foundation Sintra

185€ 16+ Workshops & talks

A hands-on masterclass in the traditional Japanese art of Kintsugi, where participants begin restoring a ceramic or wooden piece using natural Urushi lacquer and precious metal. Taught in Portuguese and English and open to ages 16 and up.

PAPER ARCHIVE CONSTRUCTION | workshop

10:00 Museu do Oriente. Lisbon

20€ Other

In this workshop, participants learn to build a foldable paper archive, inspired by the Japanese concept of Mottainai, reusing materials and exploring folds and fittings.

The Gall

10:30 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

6–12 Family friendly Family

In this activity, families learn to make ink from the garden's oak galls and draw what they like most about the space. Aimed at children aged 6 to 12.

The Missing Half

11:00 Casa Capitão Beato Lisbon

9€ Todas as idades Theatre

The Missing Half is a show-workshop about the things we lack, search for and sometimes lose, described as a declaration of love to things from the simplest to the most complex. The audience stands, with no seated places, so arriving early is advised.

ACTIVITY: SURPRISE IS ART! | 4 - 6 years

11:00 Centro Cultural de Belém Belém Lisbon

3€ Family friendly Exhibition

An activity for children aged 4 to 6 in which a first visit to the museum becomes a box of surprises, with unpredictable colours, shapes and textures to discover as a family.

Afternoon 6 events
Ájax

16:00 8 Marvila Marvila Lisbon

Theatre

A theatre piece based on Sophocles' tragedy Ajax that reflects on the limits of power and totalitarian threats, crossing the classical text with testimonies and artistic interventions.

Alma de Coimbra - Lusofonias | 20 Years of Music

17:00 Coliseu dos Recreios Santa Maria Maior Lisbon

20€ 6+ Live music

A concert celebrating Lusophone music, with original arrangements by Maestro Augusto Mesquita, featuring fado, traditional Portuguese music and sounds from Portuguese-speaking countries.

Tribute to Augusto Jayme Telles D'Abreu Nunes

17:00 Museu da Vila Cascais e Estoril Cascais

Free Other

A journey into the past to honour engineer Augusto Jayme Telles D'Abreu Nunes, a driving force behind Cascais' development and the man behind projects such as the first festive electric lighting at the Boca do Inferno.

RRPL VS RAPÓDROMO

17:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

A head-to-head concert face-off between RRPL and Rapódromo, with battles pairing Colombiano against Naruto, Kanga Dji against Trovoada, Brazzha against Erasmo and Txio Neizzy against Skill Monger.

Evening 5 events
Beatrice Rana

18:00 Fundação Calouste Gulbenkian Avenidas Novas Lisbon

Live music

Italian pianist Beatrice Rana presents a Bach recital, highlighting her virtuosity and interpretive depth.

SUPERSTAR

18:00 Teatro Armando Cortez Tires Cascais

M/12 Theatre

A theatrical performance exploring themes of fame and celebrity culture.

HANDEL | LES MUSICIENS DU LOUVRE

19:00 Centro Cultural de Belém Belém Lisbon

20€ Live music

Concert by Les Musiciens du Louvre conducted by Marc Minkowski, performing Handel's Six Concerti Grossi Op. 3.

EZHEL

21:00 Lisboa ao Vivo Campo Pequeno Lisbon

Live music

EZHEL finally makes his Portuguese debut with a one-off concert on the TOUR 2026, at LAV, Lisboa ao Vivo, on 11 October 2026. The Turkish artist presents a repertoire spanning his career, between hip-hop, trap, reggae and references to his country's musical tradition.

Exhibitions, runs & attractions 285 events

Gwenifer Raymond

Live music 13€

Saturday 12 December · 22:00

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Galeria Zé dos Bois Bairro Alto · Lisbon

Welsh guitarist Gwenifer Raymond brings her 'Welsh Primitive' to Lisbon: virtuosic fingerpicking with a ferocious attack on the strings, steeped in Welsh folklore and science fiction, presenting the album 'Last Night I Heard The Dog Star Bark'. Doors open at 21:30; entry is 13€.

Full details

Brief Introduction Decades and decades have passed since the birth of Blind Joe Death at the hands of John Fahey, and his transfiguration continues to this day, unresolved and haunted by the ghosts of Takoma and of those who came before. From that primordial heritage — fingerpicking in the dust of the blues, folk, country, ragtime and the wide-open spaces of the 'American Primitive' of Fahey, Robbie Basho or Leo Kotke through to Jack Rose (R.I.P.), Steffen Basho-Juggens or Norberto Lobo — emerges, as in many more restricted histories of knowledge, a lineage quartered to male (and white) hegemony. But at a time when historical linearity has been called into question again and again, and as Grayson Haver Currin wrote a few years ago in the New York Times, 'a new generations of players is rapidly changing that'. Following the paths already well trodden by Marisa Anderson or Kaki King, names such as Sarah Louise, Yasmin Williams or Gwenifer Raymond have been winning a deserved place in the enclave. Without hiding the influence — half inescapable — of Fahey, 'almost, by definition, my mean uncle figure', Raymond also acknowledges that traditional roles are disappearing and has, since the release of 'You Were Never Much Of A Dancer' on the ever-respectable Tompkins Square in 2018, been making a precious contribution to that change. Keeping her ties with the Tompkins Square house for her second album — Strange Lights Over Garth Mountain, 2020 —, she entered a sheltered period as far as releases go, with an unusual 4" postal single and the cassette 'Live at MOTH Club' mediating the release of her third album, on We Are Busy Bodies, in 2025 — Last Night I Heard The Dog Star Bark. A document that consolidates her 'Welsh Primitive', a wry and succinct reflection of her origins and life in Wales crossing over into stories and landscapes, in music full of lyricism yet with a ferocious attack on the strings, capable of drawing memorable and hypnotic melodic plots from a virtuosic technique without show-off. Inspired by a lasting fascination with science fiction, 'Last Night I Heard The Dog Star Bark' draws in particular on the visions of the character Tom O'Bedlam from Grant Morrison's comic series 'The Invisibles', arriving from there at her own visions, in a time capsule that projects Welsh folklore out of time and place, amid dense filigrees, dronish passages, a certain stellar melancholy and that attack, always impetuous and heartfelt. BS Doors Open 21:30 Prices Entry - 13€

Show original (Portuguese)

Breve Introdução Décadas e décadas volvidas desde o nascimento de Blind Joe Death pelas mãos de John Fahey e a sua transfiguração continua ainda hoje, irresoluta e assombrada pelos fantasmas da Takoma e daqueles que a precederam. Dessa herança primordial, o fingerpicking na poeira dos blues, da folk, da country, ragga e dos grandes espaços da 'American Primitive' de Fahey, Robbie Basho ou Leo Kotke a Jack Rose (D.E.P.), Steffen Basho-Juggens ou Norberto Lobo ressalta, como em muitas histórias do saber mais restritas, uma linhagem esquartejada para a hegemonia masculina (e branca). Mas numa altura em que a linearidade histórica tem sido posta repetidas vezes em causa e como Grayson Haver Currin escreveu há uns anos no New York Times 'a new generations of players is rapidly changing that'. Na senda dos caminhos já muito trilhados por Marisa Anderson ou Kaki King, nomes como Sarah Louise, Yasmin Williams ou Gwenifer Raymond têm vindo a conquistar um merecido espaço no enclave. Sem esconder a influência, meio inescapável, de Fahey, 'almost, by definition, my mean uncle figure', Raymond reconhece também que os papéis tradicionais estão a desaparecer e tem vindo, desde a edição de 'You Were Never Much Of A Dancer' na sempre respeitável Tompkins Square em 2018, a dar contributo precioso para essa mudança. Mantendo a ligação à casa de Tompkins Square para o seu segundo álbum - Strange Lights Over Garth Mountain, 2020 -, entrou num período resguardado no que respeita a edições, com um inusitado single postal de 4" e a cassete 'Live at MOTH Club' a mediarem a edição do seu terceiro álbum, na We Are Busy Bodies, em 2025 - Last Night I Heard The Dog Star Bark. Documento que sedimenta a sua 'Welsh Primitive', reflexo bem humorado e sucinto das suas origens e vivências no País de Gales a trespassar nas histórias e paisagens para uma música plena de lirismo mas de ataque feroz às cordas, capaz de sacar enredos melódicos memoráveis e hipnotizantes a partir de uma técnica virtuosa sem show off. Inspirado num fascínio duradouro pela ficção científica, 'Last Night I Heard The Dog Star Bark' pega particularmente nas visões da personagem de Tom O'Bedlam da série de BD 'The Invisibles' de Grant Morrison, para daí chegar às suas próprias visões, numa cápsula temporal que projecta o folclore do País de Gales para fora de tempo e lugar, entre rendilhados densos, passagens dronescas, uma certa melancolia estelar e aquele ataque, sempre impetuoso e sentido. BS Abertura de Portas 21:30 Preços Entrada - 13€

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