There is a moment, while walking, when the landscape ceases to be something contemplated from the outside and becomes the very substance of the gaze. It is from that lipid vertigo that Geografias da Memória (Geographies of Memory), Stefanie Pullin's new exhibition, is born. Rejecting cold documentation or mere naturalistic representation, Pullin's work transforms painting into a mental and bodily space, a living cartography where memory, perception and territory intertwine. Each canvas is the result of a slow sedimentation and an awareness of time: the encounter between immersion in the landscapes of South Africa, the dense vegetation of her native Guatemala and the intimate light of the forests of Portugal, where she now lives and works. What is contemplated here is not only individual experience, but the invisible footprint of those who inhabited these places in the past and of those who will come in the future. Inspired by the archetypes of Carl G. Jung and the invisible landscapes of Italo Calvino, Geografias da Memória does not ask for distant contemplation. It is a sensory invitation to slow the rhythm of the body and accept inhabiting the complexity of what grows. Stefanie Pullin's works remind us, with a radical delicacy, that we have never been separate from nature: we are the same light, the same matter and the same memory that painting slowly brings to life. Monday to Friday, from 11 a.m. to 8 p.m., Saturday and Sunday, from 11 a.m. to 7 p.m. painting.