It makes some sense that brown is such a dominant color in Amelie von Wulffen's recent works (Breitenbrunn, Germany, 1966). It is the color that inevitably appears when trying to move between the three primary colors. Von Wulffen's work is, to a large extent, precisely about that, about moving: between pictorial regimes, between the real and the imaginary, between childhood and adulthood, between trauma and fantasy. Her paintings, sculptures and drawings constitute an ambiguous universe as inclined to appropriate icons of popular culture (such as Heidi or Maya the Bee, John Travolta or Olá ice creams) as it is to evoke figures and settings associated with the specific contexts of the conservative bourgeoisie. Beneath these familiar surfaces and biographical references, the abysses of German history open up. Emerging on the pictorial plane is an ever-wider set of creatures, states and visions, originating from the place where eschatology springs forth. Tuesday to Sunday, from 11 a.m. to 6 p.m. Technical sheet: Curated by Bruno Marchand.